Recent Stories
Anna Moffo, in glorious voice and looking gorgeous as usual, sings “O Holy Night,” one of my favorite Christmas tunes.
I love Tabori—his staging of Bluebeard’s Castle and Erwartung are among my five favorite opera performances of all time.
Grand Tier Grab Bag
Le galant tireur
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
My 600 performance life
Parterre Box acknowledges Riccardo Muti‘s 600th performance with the Chicago Symphony Orchestra by highlighting two of his favorite singers — under a different conductor.
Parterre Box acknowledges Riccardo Muti‘s 600th performance with the Chicago Symphony Orchestra by highlighting two of his favorite singers — under a different conductor.
Life imitates art
With Gustavo Dudamel in the spotlight at Parterre Box this week, Grand Tier Grab Bag foreshadows one of the New York Philharmonic’s upcoming operatic engagements.
With Gustavo Dudamel in the spotlight at Parterre Box this week, Grand Tier Grab Bag foreshadows one of the New York Philharmonic’s upcoming operatic engagements.
Drink me
Parterre Box answers the question, “how can a singer do both Tristan and Nemorino within a few month of each other?” with a clip of a recent role debut from Michael Spyres.
Parterre Box answers the question, “how can a singer do both Tristan and Nemorino within a few month of each other?” with a clip of a recent role debut from Michael Spyres.
Otherwise occupied
Parterre Box features a performance from two belcantisti who would rather you not think about their political affiliations.
Parterre Box features a performance from two belcantisti who would rather you not think about their political affiliations.
Northern star
Parterre Box previews an upcoming performance of Hercules with Ann Hallenberg in some very unique Baroque repertoire.
Parterre Box previews an upcoming performance of Hercules with Ann Hallenberg in some very unique Baroque repertoire.
Ha ha ha, so gorgeous!
The Monkey King at San Francisco Opera combines spectacle and sentiment.
Grand Tier Grab Bag features a complete performance of Ernest Chausson‘s Poème de l’amour et de la mer ahead of a particular year for both its soloist and conductor.
The production is based on the Elisabeth Fritzl story, and it really made me reconsider this opera’s fairy tale storyline.
Vincent Lombardo pays poetic tribute to the 60-year-long career of Robert Wilson.
Talk of the Town
A favorite art song performance by Harry Rose
What a shaded and elegant delivery William Mattteuzzi brings to this lilting setting of D’Annunzio‘s “O falce di luna calante”!
What a shaded and elegant delivery William Mattteuzzi brings to this lilting setting of D’Annunzio‘s “O falce di luna calante”!
A favorite art song performance from David Phillips
Does this count as an art song?
Does this count as an art song?
A favorite art song performance from Mr. Portafiori
I have always loved this recording of Canteloube‘s Chants d’Auvergne sung by Dawn Upshaw and conducted by Kent Nagano.
I have always loved this recording of Canteloube‘s Chants d’Auvergne sung by Dawn Upshaw and conducted by Kent Nagano.
A favorite art song performance from Mister Snow
Jessye Norman really embraces elements of the song falling somewhere between classical art song and popular ballad.
Jessye Norman really embraces elements of the song falling somewhere between classical art song and popular ballad.
A favorite art song performance from La Grunowa
Janet Baker sings Elgar‘s Sea Pictures with such honesty and clarity and fervor.
Janet Baker sings Elgar‘s Sea Pictures with such honesty and clarity and fervor.
A favorite art song performance from Ben Miller
It’s not where you start but where you Finnish
It’s not where you start but where you Finnish
Washington National Opera presented a well-sung and humorous Marriage of Figaro, buoyed by clever direction and a strong cast, particularly Rosa Feola’s Countess and Joélle Harvey’s Susanna.
Carl Orff’s cantata tries its fortunes at the Lyric Opera of Chicago.
I never thought an opera production could be this well done.
Les Camilles both agree on this one. And WHY? You ask??!
A new recording of La fiamma from Deutsche Oper Berlin sets Respighi’s score ablaze.