“A graceful trifle” “A graceful trifle”

On this day in 1928 the Metropolitan Opera presented the United States premiere of Puccini’s La rondine starring Lucrezia Bori and Beniamino GIgli.

Monsters, no-neck and otherwise Monsters, no-neck and otherwise

Through a lucky coincidence of timing, I was able to catch up with Cat on a Hot Tin Roof, a play I adore, in two productions playing at the same time.

Fascinating chiaroscuro Fascinating chiaroscuro

On this day in 1984, the Metropolitan Opera presented a new production of Zandonai’s Francesca da Rimini.

Norma Norma

Celebrate International Women’s Day 2023 with a broadcast of Bellini’s masterpiece.

Fancy pants Fancy pants

On this day in 1976 mezzo-soprano Tatiana Troyanos made her Metropolitan Opera debut as Octavian.

Valse impériale Valse impériale

Born on this day in 1931 soprano Mady Mesplé.

Distinct and different Distinct and different

The Vienna Philharmonic brought along no star soloist for their three-night residency at Carnegie Hall this past weekend. Their programs didn’t include any commissions or flashy new works. The repertoire choices hewed closely to the core Austro-German corpus for which they are justly famous, including multiple works they had given in their world premieres.

Sworded lives Sworded lives

On this day in 1969 the Metropolitan Opera presented a new production of Verdi’s Il trovatore.

Voyna i mir Voyna i mir

Vladimir Jurowski conducts a new production by Dmitri Tcherniakov of Prokofiev’s epic. Streamed live from the Bayerische Staatsoper.

Loony Kazan Loony Kazan

On this day in 2010 the Metropolitan Opera presented the company premiere of Shostakovich’s The Nose.

La favorita La favorita

Today’s “Listeners’ Choice” is a broadcast of Donizetti’s opera from March 11, 1978.

Nymph errant Nymph errant

On this day in 1922 the Metropolitan Opera presented the company debut of Catalani’s Loreley.

Coast to coast Coast to coast

Non-observant Jew that I am, my recent immersion into not one by two new plays—Pictures from Home on Broadway, and The Wanderers at the Roundabout—that very much live in that world was something of a double-whammy.

That’s what friends are for That’s what friends are for

On this day in 1970 mezzo-soprano Marilyn Horne made her Metropolitan Opera debut in a new production of Norma.

Lohengrin Lohengrin

Piotr Beczala is the Grail Knight in tonight’s live broadcast.

Sacred raptures cheer my breast Sacred raptures cheer my breast

The English Concert’s annual Handel tour brings Solomon conducted by Harry Bicket to the US beginning Sunday March 5. In anticipation, Chris’s Cache offers Solomon plus four other oratorios by the master:  Belshazzar, Hercules, Saul and Jephtha, all via broadcasts for which I feel a personal connection.

Renegade princess Renegade princess

On this day in 1936, mezzo-soprano Bruna Castagna made her Metropolitan Opera debut as Amneris.

This used to be the future This used to be the future

Like all true opera queens, the parterrians live in the time to come. Thus this month’s #1 most read post!

Zero gravitas Zero gravitas

On the train ride home I was thinking that I don’t want to see or hear Norma ever again.

Here comes the sun Here comes the sun

On this day in 1945 the Metropolitan Opera revived Rimsky-Korsakov’s Le Coq d’Or.

Valley of the doll Valley of the doll

On this day in 1910 prima ballerina Anna Pavlova made her debut at the Metropolitan Opera in Coppelia (on a double bill with Werther!)

Going ‘South’ Going ‘South’

Cotton, a world-premiere song cycle commissioned by Philadelphia’s Lyric Fest, takes its audience on a journey through Black American history that extends from the Deep South to the contemporary urban landscape.

A whiter shade of grail A whiter shade of grail

It seems that François Girard has been watching a little too much Star Wars lately. His new production of Lohengrin, which opened at the Metropolitan Opera Sunday afternoon, reduced Wagner’s opera to a knockoff space opera, full of hackneyed sci-fi tropes and B-rated futurist apologue.

“A not unnatural desire to display her versatility” “A not unnatural desire to display her versatility”

On this day in 1890 the Metropolitan Opera presented the company premiere of Bellini’s Norma as “a benefit to supplement the earnings of Lilli Lehmann.”