La Cieca
La Cieca’s cher public will breathe a sigh of relief when she informs them that internet it-boy Izzy Anderson is, in fact, over 18. According to an email from YouTube impresario Wen Arto, Izzy is 23 and an aspiring performer. Wen continues, “Izzy wants to sing opera very badly but he is busy with ……
Perhaps the last people in the world still interested in Jerry Springer: the Opera are trying to get together a protest against the January 29 Carnegie Hall concert performance of the “patently obscene and viciously anti-Christian musical.” Our own JJ, you know, saw the show in London way back when Jenny Larmore was still fat,…
“Believe you me, there is a lot of drama in the opera world, and you have to rise above it …. I really don’t get into the drama. … I don’t cause scandals and I don’t throw fits. For me, the thing to be admired is to be on time, be prepared and to give…
A gifted amateur by the name of Izzy Anderson takes on Verdi’s Duke of Mantua. Mr. Anderson is one of the regulars on the must-see Wenarto YouTube site. (That’s the celebrated Wenarto himself conducting this selection, though usually he is found
You’ve all worked out that the previous Regie quiz was Don Carlos in the Peter Konwitschny production. So now, how about a few guesses what opera these two photos might represent? (Please, any of you who already know the production, please let the others try to work it out!)
Bernard Holland of The New York Times attended(?) Saturday night’s all-Schubert program at Carnegie Hall, featuring Ian Bostridge, Thomas Quasthoff and Dorothea Röschmann accompanied by Julius Drake. Holland’s review ran 468 words, of which barely 100 addressed the performance. Here’s La Cieca’s analysis.
Given the current lively discussion of Peter Konwitschny‘s regie of Don Carlos, La Cieca thought the cher public might like to see (and to debate) the “Celestial Voice” scene from this production. UPDATE: Since the discussion has now broadened to involve the context of this scene, La Cieca has substituted a player with a selection…
A reader sends us this page from the Los Angeles Opera season brochure for 2008-2009. (Click on the image to enlarge). La Cieca wonders if perhaps this production was originally planned for Giulietta Simionato and Mario del Monaco…
An Italian TV report on the already infamous all-Alagna-all-the-time Orphée. Now, David Alagna may not be one of the world’s great stage directors, but he certainly is among the cutest!
That grand old man of music André Previn is writing another opera, following up on the clamorous success of 1998’s A Streetcar Named Desire. The commission for Houston Grand Opera is Brief Encounter, based on Noel Coward’s one-act play Still Life as well as the screenplay for the eponymous film. (First Tennessee Williams, then Noel…
Two images from a recent production of … well, you tell me! Our previous Regie riddle? It’s Tristan und Isolde, of course, directed by “The Cher of Regisseurs,” that one-named wonder Rosalie.
“The presence of the voiceless Rosalind Plowright in the supporting role of Gertrude demonstrates the folly of the Met’s notoriously Britcentric artistic administration. Surely there are dozens of equally over-the-hill American mezzos who could have shrieked the role just as atonally.” Our own JJ reviews the Met’s productions of Hansel and Gretel, Die Walküre and…