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Now that Lisette Oropesa is doing the McVicar co-production of Maria Stuarda in Madrid, can the Met revive it with her?
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While I have an entire laundry list of operas (Maria Regina d’Inghilterra, Loreley, La Wally, Sadko, The Snow Maiden, The Golden Cockerel, La Fiamma, and many others) I wish the Met would do – especially after Medea was such a success – I think realistically speaking this double-bill would be lovely for Sondra Radvanovsky at this point.
William Kentridge‘s production of The Nose. I think it’s his strongest production for the Met, the piece is a masterpiece and this is a time for absurdity. Bring in Maestro Keri-Lynn Wilson who did such an outstanding job with Mtsensk.
Jessye Norman sings the title role of a performance recorded in New York in 1985
A rare performance of Mascagni’s opera recorded at the Wexford Festival last fall.
Both a brilliant composition and an outstanding production
John Dexter and David Hockney‘s French triple bill of Poulenc‘s Les mamelles de Tirésias, Satie‘s Parade, and Ravel‘s L’enfant et les sortilèges, last seen in 2002. This clip is from Barcelona but you can enjoy Gabriel Bermúdez nonetheless.
The Met was built for Saint-François d’Assise. It is a huge work, and it needs a huge space. And Ingo Metzmacher.
Because we have no shortage of mezzos that would be great in this rep
Danielle de Niese can’t get off the phone in a performance recorded in Wales last month
Michael Spyres as Pirro; Juan Diego Flórez, Javier Camerena, or Lawrence Brownlee as Oreste; Aigul Akhmetshina as Andromaca; Anastasia Bartoli as Ermione
Lisette Oropesa and Aigul Akhmetshina come to blows in a performance recorded last fall in Madrid.
George London and Leonie Rysanek lead a performance from 1960
Mignon of Ambroise Thomas was performed at the Met many times but has not been for decades.
Opera Lafayette and OperaCréole present Edmond Dédé‘s rediscovered opera in a live stream from the Dekelboum Concert Hall at the University of Maryland
Esclarmonde is the only answer to the question of what the Met should revive.
It is time for the Met to revive Puccini‘s masterpiece and his best work IMHO, Il trittico.
It’s fascinating, and gorgeous, and over the top, and it requires a director to make actual decisions in a way that causes clutching of pearls when it happens in a production of a better known opera.
The San Francisco Opera announces its 2025-26 season.
