Parterre Box

Polish and poise Polish and poise

Today’s Grand Tier Grab Bag offers Raehann Bryce-Davis in Marina’s aria from a broadcast of Boris conducted by Vasily Petrenko.

Next season I’m excited for <em>Andrea Chénier</em> Next season I’m excited for <em>Andrea Chénier</em>

Next season I am looking forward to performances of Andrea Chénier at the Met.

Next season I’m excited for <em>Götterdämmerung</em> Next season I’m excited for <em>Götterdämmerung</em>

Atlanta Opera’s Götterdämmerung (Stage Direction Tomer Zvulun with set design Erhard Rom).

Next season I’m excited for <em>The Death of Klinghoffer</em> Next season I’m excited for <em>The Death of Klinghoffer</em>

Maggio Musicale Fiorentino presents John Adams’s The Death of Klinghoffer next May.

Next season I’m excited for Palm Beach Opera Next season I’m excited for Palm Beach Opera

Palm Beach Opera has listed its 3 operas for next year — La bohème, The Pearl Fishers, and Rigoletto — but has not listed any casting yet!

Before the fall Before the fall

If you haven’t yet sounded off for this fall’s The Talk of the Town, what on earth are you waiting for?

Next season I’m excited for Corinne Winters in <em>Il trittico</em> Next season I’m excited for Corinne Winters in <em>Il trittico</em>

Corinne Winters will take on a trio of roles in Puccini’s Trittico in Houston.

Next season I’m excited for Lisette Oropesa in <em>Roméo et Juliette</em> Next season I’m excited for Lisette Oropesa in <em>Roméo et Juliette</em>

I am looking forward to seeing The Greatest Thing Ever as Gounod‘s Juliette, a role I have never seen her in, at the Berlin Staatsoper on 6 November.

Next season I’m excited for Pacific Opera Project Next season I’m excited for Pacific Opera Project

I am pretty excited to add coverage of nearby performances while I am getting settled here in Southern California.

Sings like a god Sings like a god

Anticipating a busy season for both, Parterre Box features married couple Angela Meade and John Matthew Myers trading soaring Strauss lines in a duet from Die Liebe der Danae.

Next season I’m excited for <em>Der Freischütz</em> en français Next season I’m excited for <em>Der Freischütz</em> en français

Thank you, Leon Botstein, for giving us a chance to hear the Berlioz adaptation of Der Freischütz (or Freyschütz).

Next season I’m excited for <em>Aïda</em> Next season I’m excited for <em>Aïda</em>

My next production will be Aïda with the Israel Philharmonic conducted by Zubin Mehta.

Next season I’m excited for Kyle Ketelsen in <em>Don Giovanni</em> Next season I’m excited for Kyle Ketelsen in <em>Don Giovanni</em>

It’s always interesting to hear the master of one role in an opera take on another one.

Next season I’m excited for <em>Innocence</em> Next season I’m excited for <em>Innocence</em>

Kaija Saariaho’s gifts for vocal and instrumental writing and the uncanniness of the themes she musicalized resonate with unforced power

Good trouble Good trouble

Nobody emotes like Joyce DiDonato, and this week Parterre Box spotlights her new recording of Dido and Aeneas with a look at a recent live performance in the part.

Next season I’m excited for <em>De Materie</em> Next season I’m excited for <em>De Materie</em>

De Materie (1989) by Louis Andriessen is unsuitable for home listening, so I’m really looking forward to hearing the great Asko|Schönberg ensemble perform it live in Rotterdam next season.

Next season I’m excited for <em>Robinson Crusoe</em> Next season I’m excited for <em>Robinson Crusoe</em>

‘Expect nothing and you’ll never be disappointed.’

Next season I’m excited for Lise Davidsen’s first Isolde Next season I’m excited for Lise Davidsen’s first Isolde

One of the most exciting things in prospect next season is Lise Davidsen‘s role debut as Isolde, to take place in Barcelona in January.

Next season I’m excited for <em>The Crucible</em> Next season I’m excited for <em>The Crucible</em>

The announcement that the increasingly Trump-annexed Kennedy Center would be presenting Robert Ward‘s The Crucible seemed too on-the-nose to be true.

Next season I’m excited for <em>Lady Macbeth of the Mtsensk District</em> Next season I’m excited for <em>Lady Macbeth of the Mtsensk District</em>

Barrie Kosky directs Lady Macbeth of the Mtsensk District. Sickos: “Yes… ha ha ha YES!”

Vengo a salvarti! Vengo a salvarti!

This week, Parterre Box features summer Einspringerin Marigona Qerkezi in some different Verdi fare.

Next season I’m excited for <em>Arabella</em> and <em>The Monkey King</em> Next season I’m excited for <em>Arabella</em> and <em>The Monkey King</em>

In a world of guilty pleasures, Arabella is mine.

Next season I’m excited for <em>Eugene Onegin</em> Next season I’m excited for <em>Eugene Onegin</em>

I’d love to have a better answer than ‘movie star directs opera’, but I’m curious to see what Ralph Fiennes does with Eugene Onegin in Paris.

Next season I’m excited for <em>Les pêcheurs de perles</em> Next season I’m excited for <em>Les pêcheurs de perles</em>

This season, I’m looking forward to Washington Concert Opera’s (WCO) production of Georges Bizet’s Les pêcheurs de perles on 14 March 2026.