Parterre Box

Anna goes to the ball Anna goes to the ball

Anna Netrebko managed to debut a new role in Naples earlier this month — Amelia in Un ballo in maschera — and this week’s Grand Tier Grab Bag features her in the complete second Act of her first performance.

Nothing makes me feel better than the 1966 Salzburg Festival <em>Nozze</em> Nothing makes me feel better than the 1966 Salzburg Festival <em>Nozze</em>

This performance truly “never fails to lift my mood.”

Nothing makes me feel better than <em>Der Rosenkavalier</em> Nothing makes me feel better than <em>Der Rosenkavalier</em>

Der Rosenkavalier is a three-hour meditation on nostalgia. What could be better to bathe in?

Rock ‘n’ Tyrol Rock ‘n’ Tyrol

Parterre Box features an exclusive sample of Lawrence Brownlee‘s jump-in performance in La sonnambula from this weekend

Nothing makes me feel better than <em>War and Peace</em> Nothing makes me feel better than <em>War and Peace</em>

‘Comfort opera.’ Hmm… I had to give this one some thought.

Nothing makes me feel better than <em>L’incoronazione di Poppea</em> Nothing makes me feel better than <em>L’incoronazione di Poppea</em>

I have listened to this clip on the way to every first date I’ve ever been on.

Seen and heard Seen and heard

Mere days remain to contribute to The Talk of the Town for the rest of the year!

Nothing makes me feel better than <em>The Cunning Little Vixen</em> Nothing makes me feel better than <em>The Cunning Little Vixen</em>

The opera is life affirming, but also recognizes that life comes to an end.

Mommy and me Mommy and me

Today’s Grand Tier Grab Bag features Chiara Isotton and Joyce El-Khoury as two murderous mommies in the final scene of Cherubini‘s Medea (and Medée)

Nothing makes me feel better than <em>Elektra</em> Nothing makes me feel better than <em>Elektra</em>

My comfort opera is Elektra. Yes, you read correctly, Elektra.

Nothing makes me feel better than the 1961 performance of <em>Turandot</em> Nothing makes me feel better than the 1961 performance of <em>Turandot</em>

The old Nilsson/Corelli radio checks from the 1960s are a reminder that what this opera needs are VOICES.

Nothing makes me feel better than Roberta Peters in <em>Die Zauberflöte</em> Nothing makes me feel better than Roberta Peters in <em>Die Zauberflöte</em>

Other queens have been richer of voice or more dramatically compelling, but none I have ever heard succeeds in sounding something other than human.

Nothing makes me feel better than Conchita Supervia Nothing makes me feel better than Conchita Supervia

Conchita Supervia (1895-1936), Spanish mezzo, never fails to lift my spirits, in practically everything she sang.

Nothing makes me feel better than <em>Tosca</em> Nothing makes me feel better than <em>Tosca</em>

Suck it, Joseph Kerman: Puccini’s “Shabby Little Shocker” has outlived you and will probably bury us all.

Nothing makes me feel better than <em>Wozzeck</em> Nothing makes me feel better than <em>Wozzeck</em>

Wozzeck. Yes, really.

Nothing makes me feel better than <em>Grisélidis</em> Nothing makes me feel better than <em>Grisélidis</em>

From an early age I knew I should have been French.

Folle ebbrezza! Folle ebbrezza!

Today’s Grand Tier Grab Bag features a snippet from Carolina López Moreno and Antonio Pappano‘s recent Rondine in London.

Next season I’m excited for Bellini operas at the Met Next season I’m excited for Bellini operas at the Met

We will have two Bellinis in new productions, with the best possible casts that can be assembled.

Next season I’m excited for Handel oratorios Next season I’m excited for Handel oratorios

Messiah remains ubiquitous, but several of Handel’s other superb English oratorios will be given enticing performances during the 2025-26 season.

Polish and poise Polish and poise

Today’s Grand Tier Grab Bag offers Raehann Bryce-Davis in Marina’s aria from a broadcast of Boris conducted by Vasily Petrenko.

Next season I’m excited for <em>Andrea Chénier</em> Next season I’m excited for <em>Andrea Chénier</em>

Next season I am looking forward to performances of Andrea Chénier at the Met.

Next season I’m excited for <em>Götterdämmerung</em> Next season I’m excited for <em>Götterdämmerung</em>

Atlanta Opera’s Götterdämmerung (Stage Direction Tomer Zvulun with set design Erhard Rom).

Next season I’m excited for <em>The Death of Klinghoffer</em> Next season I’m excited for <em>The Death of Klinghoffer</em>

Maggio Musicale Fiorentino presents John Adams’s The Death of Klinghoffer next May.

Next season I’m excited for Palm Beach Opera Next season I’m excited for Palm Beach Opera

Palm Beach Opera has listed its 3 operas for next year — La bohème, The Pearl Fishers, and Rigoletto — but has not listed any casting yet!