Parterre Box
Today’s Grand Tier Grab Bag offers Raehann Bryce-Davis in Marina’s aria from a broadcast of Boris conducted by Vasily Petrenko.
Next season I am looking forward to performances of Andrea Chénier at the Met.
Atlanta Opera’s Götterdämmerung (Stage Direction Tomer Zvulun with set design Erhard Rom).
Maggio Musicale Fiorentino presents John Adams’s The Death of Klinghoffer next May.
Palm Beach Opera has listed its 3 operas for next year — La bohème, The Pearl Fishers, and Rigoletto — but has not listed any casting yet!
If you haven’t yet sounded off for this fall’s The Talk of the Town, what on earth are you waiting for?
Corinne Winters will take on a trio of roles in Puccini’s Trittico in Houston.
I am looking forward to seeing The Greatest Thing Ever as Gounod‘s Juliette, a role I have never seen her in, at the Berlin Staatsoper on 6 November.
I am pretty excited to add coverage of nearby performances while I am getting settled here in Southern California.
Anticipating a busy season for both, Parterre Box features married couple Angela Meade and John Matthew Myers trading soaring Strauss lines in a duet from Die Liebe der Danae.
Thank you, Leon Botstein, for giving us a chance to hear the Berlioz adaptation of Der Freischütz (or Freyschütz).
My next production will be Aïda with the Israel Philharmonic conducted by Zubin Mehta.
It’s always interesting to hear the master of one role in an opera take on another one.
Kaija Saariaho’s gifts for vocal and instrumental writing and the uncanniness of the themes she musicalized resonate with unforced power
Nobody emotes like Joyce DiDonato, and this week Parterre Box spotlights her new recording of Dido and Aeneas with a look at a recent live performance in the part.
De Materie (1989) by Louis Andriessen is unsuitable for home listening, so I’m really looking forward to hearing the great Asko|Schönberg ensemble perform it live in Rotterdam next season.
‘Expect nothing and you’ll never be disappointed.’
One of the most exciting things in prospect next season is Lise Davidsen‘s role debut as Isolde, to take place in Barcelona in January.
The announcement that the increasingly Trump-annexed Kennedy Center would be presenting Robert Ward‘s The Crucible seemed too on-the-nose to be true.
Barrie Kosky directs Lady Macbeth of the Mtsensk District. Sickos: “Yes… ha ha ha YES!”
This week, Parterre Box features summer Einspringerin Marigona Qerkezi in some different Verdi fare.
In a world of guilty pleasures, Arabella is mine.
I’d love to have a better answer than ‘movie star directs opera’, but I’m curious to see what Ralph Fiennes does with Eugene Onegin in Paris.
This season, I’m looking forward to Washington Concert Opera’s (WCO) production of Georges Bizet’s Les pêcheurs de perles on 14 March 2026.
Tell us: What was the best of 2025?
Parterre Box concludes the thrilling first year of Talk of the Town by inviting your lightning rod opinions on several more categories of operatic argumentation.
Parterre Box concludes the thrilling first year of Talk of the Town by inviting your lightning rod opinions on several more categories of operatic argumentation.
Sign up for our free Newsletter.
Support Parterre Box
Donate to keep opera's liveliest publication free and independent. No paywalls, no institutional backing, no bootlicking.
Get our free newsletter
Opera's top reads delivered to your email weekly…ish.
Join over 100k readers.
The best opera magazine on the web.
Reviews, breaking news, critical essays, and brainrot commentary on opera from those demented enough to love it.
Essentials
Copyright © 2026 Parterre Box.
All rights reserved.
Registration or use of this site constitutes acceptance of our Terms & Conditions and our Privacy Policy.