Monster recital sacré

“Pèlerin Deslieux had arrived to escort her to Carnegie Hall. They would walk over together. ‘There’s a queue from here to there!’ he told her.”

“Thousands of beaming New Yorkers, having heard the Pelléas et Mélisande broadcast, had come out into that fine spring evening. . . . They stood massed in a cordon that stretched from the Plaza fountain, down Fifth Avenue, and west across Fifty-seventh Street all the way to Carnegie Hall, then around Seventh Avenue to the Fifty-sixth Street artists’ entrance.” — Mawrdew Czgowchwz

Photo © Opéra de Dijon – Gilles Abegg

[Opéra National de Bordeaux]

La Cieca

James Jorden (who wrote under the names "La Cieca" and "Our Own JJ") was the founder and editor of parterre box. During his 20 year career as an opera critic he wrote for the New York Times, Opera, Gay City News, Opera Now, Musical America and the New York Post. He also raised his voice in punditry on National Public Radio. From time to time he directed opera, including three unsuccessful productions of Don Giovanni. He also contributed a regular column on opera for the New York Observer. James died in October 2023.

Comments

Sign up for Parterre’s free newsletter.

Exclusive opera reviews, commentary, and top reads
delivered to your email weekly…ish.

By submitting your email address, you will receive a free subscription to Parterre Box’s email newsletters and occasional special offers from us and our affiliates. You can unsubscribe at any time and we encourage you to read more about our Privacy Policy.