Piero Cappuccilli, considered one of the finest Italian baritones of his generation, lies in an advanced state of putrefaction today. He died July 12, but for reasons best known to Anthony Tommasini of the Times, that passing was not noted until today, i.e., nine days after the fact. Perhaps if Cappuccilli had achieved “international stardom” (which apparently consists of something more elusive than singing the great roles of the Italian baritone repertoire in every great opera house of the world for over 30 years), his obituary might have appeared a little more quickly. Then again, with a new production of Death in Venice about to open at Glimmerglass, Tony might have been too busy dreaming up adjectives to describe the dancer playing Tadzio (“buff?” “sleek?” “lithe?” “humpy?”)
Tony fumbles, yet again
La Cieca
James Jorden (who wrote under the names "La Cieca" and "Our Own JJ") was the founder and editor of parterre box. During his 20 year career as an opera critic he wrote for the New York Times, Opera, Gay City News, Opera Now, Musical America and the New York Post. He also raised his voice in punditry on National Public Radio. From time to time he directed opera, including three unsuccessful productions of Don Giovanni. He also contributed a regular column on opera for the New York Observer. James died in October 2023.
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Topics: 192, Blind Item, Metropolitan Opera, New York Times
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Parterre Box concludes the thrilling first year of Talk of the Town by inviting your lightning rod opinions on several more categories of operatic argumentation.
Parterre Box concludes the thrilling first year of Talk of the Town by inviting your lightning rod opinions on several more categories of operatic argumentation.
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Ahead of a special boozy, bawdy Valentine’s Day concert, artistic director of Opera Lafayette Patrick Quigley speaks with soprano Maya Kherani about her journey from MIT to rising American Baroque star.
Ahead of a special boozy, bawdy Valentine’s Day concert, artistic director of Opera Lafayette Patrick Quigley speaks with soprano Maya Kherani about her journey from MIT to rising American Baroque star.
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A Baroque Valentine’s with Opera Lafayette | Feb | DC & NYC
Celebrate love in all its guises with tender ballads, amorous duets, cheeky verses, and bawdy drinking songs plus food, cocktails and wine.
Celebrate love in all its guises with tender ballads, amorous duets, cheeky verses, and bawdy drinking songs plus food, cocktails and wine.