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On this day in 1967 the Metropolitan Opera presented its first Met in the Parks performance in Crocheron Park, Bayside, Queens.
Michael Mayer‘s production of La traviata at the Met is so timid, so devoid of insight, so cynically pandering and gaudy that I hardly feel like it even matters what I think of the performances of the current cast.
On this day in 1962 conductor Ernest Ansermet made his in-house Metropolitan Opera debut conducting Pelléas et Mélisande.
This Sony Classical set of live performances covers a golden quarter century in the singing and staging of Wagner. Birgit Nilsson shared it with many other legends, and many of them appear on these discs.
Born on this day in 1932 soprano Anna Moffo.
On this day in 1967 the Metropolitan Opera presented its first Met in the Parks performance in Crocheron Park, Bayside, Queens: Puccini’s La Boheme.
Born on this day in 1932 soprano Anna Moffo.
Let’s call this meeting to order. My name is Patrick and I’m a boxset-aholic.
Sony Classical has now released “Leontyne Price Prima Donna Assoluta” containing nearly her entire operatic oeuvre in a box set.
Now we have considered the three “winners” in the Tristan competition, let’s turn to the also-rans, or, to be more optimistic, the runners up.
Falstaff, Verdi’s totally unexpected, final, great comedic roar.
On this day in 1841 Adophe Adam‘s ballet Giselle premiered in Paris.
I grew up with the Anna Moffo recording of Luisa Miller, so it was fortuitous that the Met gave the premiere of a new production in 1968, around the time RCA released the album.
Anna Moffo made some of the most entrancing records ever. Their appeal is to “voice fanciers.” (I understand. We’re a despised group.) But Moffo’s best work renders us helpless.
A much-loved diva overdue for this site is Anna Moffo.
Between them, Maria Guleghina, Marcello Giordani, James Morris and John Del Carlo have nearly 150 combined years of service on stage.
With help from the Met’s invaluable performance archive, here is a look back at just some of what you could have seen, and perhaps did see, on October 31st through the years at the Met.
LoftOpera is just one, though perhaps the liveliest, of many homegrown opera troupes in Brooklyn.
For those of you who can’t make it to the Met’s opening night, I am happy to provide you the opportunity to experience another Otello with a cast that was unmatchable for 1981.
On this day in 1966 Dark Shadows premiered on ABC-TV.
When Richard Wagner reached into the past and revised Gluck’s Iphigénie en Aulide, he went beyond the accepted boundaries of tinkering and more or less created a new work that’s fomented aesthetic debates ever since.
Jungfer Marianne Leitmetzerin has outdone herself this week, presenting a nostalgic pairing of Cavalleria rusticana and Pagliacci.
As someone who thinks Verdi is the greatest composer who ever lived and who feels pretty meh about Mozart, I expected to love the Verdi and be bored by the Mozart. I wasn’t far wrong.
By Ortrud Maxwell And now, the finale, one last visit to the graveyard of operatic recordings. This time, we shall meet many complete opera sets that were planned but dropped, others begun but never finished, and still others even completed but left unreleased!