James Jorden (who writes under the names “La Cieca” and “Our Own JJ”) is the founder and editor of parterre box. During his 20 year career as an opera critic he has written for the New York Times, Opera, Gay City News, Opera Now, Musical America and the New York Post. He has also raised his voice in punditry on National Public Radio. From time to time he has directed opera, including three unsuccessful productions of Don Giovanni, a work he hopes to return to someday. He is the co-creator, writer and occasional wig stylist for “The Dozen Divas,” the long-running cabaret show starring the ineffable Dorothy Bishop. Currently he alternates his doyenne duties with writing a twice-weekly column on opera for the New York Observer.
Today’s broadcast of Aida from the Met begins at 12:30 PM, as does the traditional chat.
Mezzo-soprano Joyce DiDonato is first among equals in a spectacular cast when she sings the title role of Ariodante in this season’s installment of Carnegie Hall’s critically acclaimed cycle of Handel’s operas in concert. A brilliantly melodic work, the opera features outstanding arias for each of the principal singers, including Ariodante’s melancholy “Scherza infida” and show-stopping “Doppo note.” Harry Bicket and The English Concert bring authentic Handelian brilliance to this marvelous opera. (Photo: Simon Pauly) Get tickets. Read more »
The Met promises eight months from now a new production of Tosca and insiders are already betting that Kristine Opolais as the titular Roman diva may well be replaced before opening night.
All right, so Renée Fleming says she’s not retiring from opera at the moment, and who should know better than she herself?
This afternoon at the civilized hour of 1:00 PM, the Met will broadcast a performance of Tristan und Isolde recorded in the fall.
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