La Cieca
James Jorden (who writes under the names "La Cieca" and "Our Own JJ") is the founder and editor of parterre box. During his 20 year career as an opera critic he has written for the New York Times, Opera, Gay City News, Opera Now, Musical America and the New York Post. He has also raised his voice in punditry on National Public Radio. From time to time he has directed opera, including three unsuccessful productions of Don Giovanni, a work he hopes to return to someday. Currently he alternates his doyenne duties with writing a weekly column on opera for the New York Observer.
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Giovanni Pacini’s 1827 opera, revived for the first time since the 19th century.
By La Cieca
Broadcast live from Munich with a number of members of the cast who will appear in the impending Met presentation of this piece.
By La Cieca
Born on this day in 1920 or so actor Yul Brynner.
By La Cieca
Alex Esposito and Lisette Oropesa star at the Teatro Real de Madrid.
By La Cieca
On this day in 1967 the Metropolitan Opera presented its first “Met in the Parks” performance in Crocheron Park, Bayside, Queens. La bohème featured Anna Moffo, Sandor Konya, Laurel Hurley and Frank Guarrera.
By La Cieca
For your Friday evening chatting pleasure, a video from the Opéra Comique, Paris.
By La Cieca
“Gabriela Lena Frank‘s score for Frida y Diego was nothing short of extraordinary, at times recalling Béla Bartók (in her treatment for climaxes) or Giacomo Puccini (in her handling of choruses), but the musical idioms were certainly her own. I particularly mesmerized by many instrumental solos peppered throughout the score (most particularly the bassoon and violin solos), and Frank used such device to define the characters, almost in a way of leitmotif.”
By La Cieca
Renowned musical artist Jonas Kaufmann has returned to his first true love, recording dated kitsch.
By La Cieca
Tonight’s chat is late (10:00 PM EDT / 7:00 PM PDT) and based on a pay-per-view event, but….
By La Cieca
The final Free Live Audio Stream of the Met’s 2022-2023 season.
By La Cieca
“I’ve never laughed so much nor been so moved by a Zauberflöte until Simon McBurney’s where even its Busby Berkeley-flavored finale brought tears to my eyes.”
By La Cieca
Once again, La Cieca thanks you for your concern and patience during May 2023.
By La Cieca
Tomasz Konieczny stars as the accursed Dutchman in Wagner’s haunting ghost story.
By La Cieca
“Following her sublime Met debut two weeks ago leading Don Giovanni, Nathalie Stutzmann once again led a fleet and transparent reading full of ravishing detail.”
By La Cieca
The troubled run of Verdi’s opera at the Met this season is almost over.
By La Cieca
“One consistent feature was a tendency across the cast to tip from recitative into aria with no pause for breath or thought. The effect was almost naturalistic—if such a thing were possible in opera—and was just one example of the many ways in which the night’s music felt fresh, even urgent.”
By La Cieca
In voice, artistic sensibility and glamour, the singer was every inch a diva.
By La Cieca
Giacomo Meyerbeer’s Singspiel in three acts, as broadcast from Bonn Opera.
By La Cieca
Music Director Yannick Nézet-Séguin conducts Puccini’s timeless tragedy for the first time at the Met, leading a cast that stars Eleonora Buratto and Stephen Costello.
By La Cieca
Peter Mattei heads a luxe cast conducted by Nathalie Stutzmann.
By La Cieca
La Cieca was most gratified to see that the cher public kept visiting parterre.com and commenting on every topic under the sun during her mid-April bout of illness!
By La Cieca
