Headshot of La Cieca

Cher Public

  • Poison Ivy: Also useful to find reviews of his performances in Boheme. Reviewer was pretty clear that he... 8:28 AM
  • Poison Ivy: I actually think the early recording process was more cruelly exposing of what a singer could or... 8:22 AM
  • Cocky Kurwenal: Which of the 4 Devia performances comes the most highly recommended, for somebody who keeps... 8:15 AM
  • Cocky Kurwenal: Maybe they have to be seen in order for one to be able to fully appreciate absolutely... 8:01 AM
  • Grane: Is anyone else having trouble opening Parterre from an iPhone? I get a pop up ad which redirects... 8:01 AM
  • Cocky Kurwenal: I have seen Dame Gwyneth live twice, but my virtually boundless love for her stems entirely... 7:55 AM
  • Cocky Kurwenal: I’d be really cautious of making assertions such as the one that McCormack had the same... 7:46 AM
  • Often admonished: Same here. What a find! great cast Visconti directing and Giulini in the pit. 7:13 AM
  • Orlando Furioso: It should be noted that the unexpectedly “heavy” ; repertory is pretty much what... 6:57 AM
  • Cicciabella: When it gets overheated, the Henry Higgins robot screams: AR-TIC-U-LATE! AR-TIC-U-LATE! 6:19 AM

Medium and rare

“Considering one of the season’s star singers is a plus-size female impersonator, opera this fall is anything but a drag.” Our Own JJ lays down the law on the subject of autumnal opera attendance to his base audience of jaded roués and gay divorcées who lunch at the Ritz. [New York Post]

5 comments

  • Albiani says:

    LC:

    You forgot to include the very important premiere of “The Tempest” by Thomas Ades on October 23.

    “An exhilirating opera” (Anthony Tommassini)

    “The Tempest is the opposite of a disappointment; it is a masterpiece of airy beauty and eerie power” (Alex Ross)

    • La Cieca says:

      For a somewhat more detailed preview piece in Musical America today, JJ selected this opera as #3 of the top 20 American opera productions of the season:

      The Tempest. Metropolitan Opera.
      The Met’s audience has come a long way. Just ten years ago, 20th-century opera was box office poison; today, audiences clamor for Thomas Adès. With mesmerizing baritone Simon Keenlyside on board as Prospero, this company premiere is the high point of the fall season. (Oct. 23-Nov.17).

      http://goo.gl/JVgV5

  • perfidia says:

    Varla Jean Merman as Madame Flora? That can only be brialliant or a train wreck. Anyway it will be interesting. And here I am living in the boonies of the boonies.

  • perfidia says:

    brilliant