Headshot of La Cieca

Cher Public

  • pavel: I love her in this video! I just can’t stop thinking, however, how much she looks like a... 6:49 PM
  • MontyNostry: I saw Max Jota in a competition a few years ago (2011) and I thought he was genuinely talented,... 6:41 PM
  • Poison Ivy: Ok, I’ve done some digging on what’s available for Monastyrska and have found some... 6:37 PM
  • antikitschychick: Lmaooooooo this is too funny. I really like her but Verdi might be rolling around in his... 6:35 PM
  • zinka: httpv://www.youtub e.com/watch?v=kngG tt-pQM4 To all my very scary buddies here…I wish you a... 6:30 PM
  • antikitschychick: Yeah I think she may have been tired last night…or because it’s just a revival... 6:28 PM
  • actfive: That is some pretty fabulous singing, esp Abigaille and Lady M. 5:49 PM
  • almavivante: It pains me to ask what may be a very dumb question, but: Do people REALLY buy these Xmas albums... 5:28 PM
  • pirelli: It’s interesting listening to the clips of Kelli/Renee and Kurt/Renee in particular. In both... 5:24 PM
  • uwsinnyc: I have to say she sounded *marginally* better when she did them a couple years ago. Or may be it... 5:18 PM

Medium and rare

“Considering one of the season’s star singers is a plus-size female impersonator, opera this fall is anything but a drag.” Our Own JJ lays down the law on the subject of autumnal opera attendance to his base audience of jaded roués and gay divorcées who lunch at the Ritz. [New York Post]

5 comments

  • Albiani says:

    LC:

    You forgot to include the very important premiere of “The Tempest” by Thomas Ades on October 23.

    “An exhilirating opera” (Anthony Tommassini)

    “The Tempest is the opposite of a disappointment; it is a masterpiece of airy beauty and eerie power” (Alex Ross)

    • La Cieca says:

      For a somewhat more detailed preview piece in Musical America today, JJ selected this opera as #3 of the top 20 American opera productions of the season:

      The Tempest. Metropolitan Opera.
      The Met’s audience has come a long way. Just ten years ago, 20th-century opera was box office poison; today, audiences clamor for Thomas Adès. With mesmerizing baritone Simon Keenlyside on board as Prospero, this company premiere is the high point of the fall season. (Oct. 23-Nov.17).

      http://goo.gl/JVgV5

  • perfidia says:

    Varla Jean Merman as Madame Flora? That can only be brialliant or a train wreck. Anyway it will be interesting. And here I am living in the boonies of the boonies.

  • perfidia says:

    brilliant