Cher Public

  • danpatter: I guess I’m a hopeless romantic/sentiment alist. The ARABELLA finale never fails to get to me. I like this opera even... 11:22 AM
  • redbear: It was absolutely clear to me that Castorf was deliberately making fun of and emphasizing the banality of the story and I cannot... 10:09 AM
  • Camille: PCally–I have no time to chat this morning but I must tell you– Just go to that link which sogalitno has provided... 9:32 AM
  • WindyCityOperaman: More Romberg: httpvh://www.youtu be.com/watch?v=70D H050eqUQ httpvh://www.youtu be.com/watch?v=J2T alBHXaig... 8:44 AM
  • PCally: Camille that’s the most I’ve heard you rave in a while. She really must be something and I’m very sorry that I... 8:14 AM
  • Cocky Kurwenal: Afternoon Milady, think I’m inclined to agree with you on Barton. I heard her live for the first time recently and... 8:02 AM
  • Cicciabella: Nie wieder Castorf! http://www.welt.de /kultur/buehne-kon zert/article157339 652/Nie-wieder-Cas torf.html 4:08 AM
  • Camille: No, you are NOT making it up, just like Anna Russell! 11:24 PM

Medium and rare

“Considering one of the season’s star singers is a plus-size female impersonator, opera this fall is anything but a drag.” Our Own JJ lays down the law on the subject of autumnal opera attendance to his base audience of jaded roués and gay divorcées who lunch at the Ritz. [New York Post]

5 comments

  • 1
    Albiani says:

    LC:

    You forgot to include the very important premiere of “The Tempest” by Thomas Ades on October 23.

    “An exhilirating opera” (Anthony Tommassini)

    “The Tempest is the opposite of a disappointment; it is a masterpiece of airy beauty and eerie power” (Alex Ross)

    • 1.1
      La Cieca says:

      For a somewhat more detailed preview piece in Musical America today, JJ selected this opera as #3 of the top 20 American opera productions of the season:

      The Tempest. Metropolitan Opera.
      The Met’s audience has come a long way. Just ten years ago, 20th-century opera was box office poison; today, audiences clamor for Thomas Adès. With mesmerizing baritone Simon Keenlyside on board as Prospero, this company premiere is the high point of the fall season. (Oct. 23-Nov.17).

      http://goo.gl/JVgV5

  • 2
    perfidia says:

    Varla Jean Merman as Madame Flora? That can only be brialliant or a train wreck. Anyway it will be interesting. And here I am living in the boonies of the boonies.

  • 3
    perfidia says:

    brilliant