Headshot of La Cieca

Cher Public

  • ML: Pot calls kettle black. If this becomes a 12-month conflict, “Parterre Box presents La Cieca”... 2:39 AM
  • Lohengrin: Thank you Ciccibella, very interesting. Listen to: http://de.euronews .com/2014/07/10... 2:10 AM
  • Stefan: There have been many unpleasant things said by all parties – management, unions and on here... 1:42 AM
  • la vociaccia: It’s unfortunate just how aggressively major orchestras try to sell that angle of the War... 1:37 AM
  • La Cieca: Tell me more about your black-and-white, either-or, completely binary view of the world. 1:22 AM
  • mozartFreak: I’m just horrified at how many of you come here to voice your disdain and downright... 1:01 AM
  • mozartFreak: I’m just horrified at how many of you come here to voice your disdain and downright... 1:01 AM
  • Donna Anna: We saw the LOC Manon with Dessay and Kaufmann; both were wonderful. Dessay’s Manon was... 12:28 AM
  • m. croche: Oh dear. Syllables are sustained over long lines, animated by an Oriental form of melisma that... 11:30 PM
  • Leontynes Weave: I appreciate your advice about not attacking people personally interlaced with your... 11:04 PM

Medium and rare

“Considering one of the season’s star singers is a plus-size female impersonator, opera this fall is anything but a drag.” Our Own JJ lays down the law on the subject of autumnal opera attendance to his base audience of jaded roués and gay divorcées who lunch at the Ritz. [New York Post]

5 comments

  • Albiani says:

    LC:

    You forgot to include the very important premiere of “The Tempest” by Thomas Ades on October 23.

    “An exhilirating opera” (Anthony Tommassini)

    “The Tempest is the opposite of a disappointment; it is a masterpiece of airy beauty and eerie power” (Alex Ross)

    • La Cieca says:

      For a somewhat more detailed preview piece in Musical America today, JJ selected this opera as #3 of the top 20 American opera productions of the season:

      The Tempest. Metropolitan Opera.
      The Met’s audience has come a long way. Just ten years ago, 20th-century opera was box office poison; today, audiences clamor for Thomas Adès. With mesmerizing baritone Simon Keenlyside on board as Prospero, this company premiere is the high point of the fall season. (Oct. 23-Nov.17).

      http://goo.gl/JVgV5

  • perfidia says:

    Varla Jean Merman as Madame Flora? That can only be brialliant or a train wreck. Anyway it will be interesting. And here I am living in the boonies of the boonies.

  • perfidia says:

    brilliant