Headshot of La Cieca

Cher Public

  • CwbyLA: Is this the best defense you can come up with Guestoria Unpopularenka? 3:40 AM
  • tancredipasero: Not quite the dumbest – google Mark Langfan – but it is really dumb. Choice,... 1:15 AM
  • tancredipasero: great typo, thanks!! I am pretty sure you meant “non-photoge nic” – the... 12:46 AM
  • Batty Masetto: From an entirely different source, I came across this video of Klinghoffer protesters walking... 12:14 AM
  • Dabrowski: I submit for your discussion: Has John Podhoretz written a dumb column about The Death of... 11:05 PM
  • operaassport: The JFK murder is not a good comparison as there are dozens of examples of the Kennedy family... 10:38 PM
  • operaassport: *isnt. 10:34 PM
  • operaassport: While I don’t buy that as an excuse, if you seriously think that anti-Semitism in Europe... 10:33 PM
  • operaassport: I can’t believe that anyone at the MET thought there would be bomb threats at theaters . 10:31 PM
  • Kenhere: I can hardly improve on what Said or Dabrowski wrote, but I think the opening chorus avoids the... 10:16 PM

Medium and rare

“Considering one of the season’s star singers is a plus-size female impersonator, opera this fall is anything but a drag.” Our Own JJ lays down the law on the subject of autumnal opera attendance to his base audience of jaded roués and gay divorcées who lunch at the Ritz. [New York Post]

5 comments

  • Albiani says:

    LC:

    You forgot to include the very important premiere of “The Tempest” by Thomas Ades on October 23.

    “An exhilirating opera” (Anthony Tommassini)

    “The Tempest is the opposite of a disappointment; it is a masterpiece of airy beauty and eerie power” (Alex Ross)

    • La Cieca says:

      For a somewhat more detailed preview piece in Musical America today, JJ selected this opera as #3 of the top 20 American opera productions of the season:

      The Tempest. Metropolitan Opera.
      The Met’s audience has come a long way. Just ten years ago, 20th-century opera was box office poison; today, audiences clamor for Thomas Adès. With mesmerizing baritone Simon Keenlyside on board as Prospero, this company premiere is the high point of the fall season. (Oct. 23-Nov.17).

      http://goo.gl/JVgV5

  • perfidia says:

    Varla Jean Merman as Madame Flora? That can only be brialliant or a train wreck. Anyway it will be interesting. And here I am living in the boonies of the boonies.

  • perfidia says:

    brilliant