Calling from 2066, Brendan Latimer argues that the best way to save opera might be to just blow up the standard repertoire altogether.
In its first production since departing the Kennedy Center, the Washington National Opera presents a new adaptation of “King of Ragtime” Scott Joplin’s opera Treemonisha.
Ahead of his first season as the Music & Artistic Director of the New York Philharmonic, how much longer can — and should — Gustavo Dudamel stay quiet about the situation in his native Venezuela?
With the Fourth of July approaching, Trove Thursday turns to a quintessentially American opera with the broadcast of the world premiere—some 60 years after its composition—of Scott Joplin’s Treemonisha with Alpha Floyd, Seth McCoy and Simon Estes conducted by Robert Shaw.
Harry Lawrence Freeman’s Voodoo, begun sometime before 1914, was completed and first heard on radio in May, 1928, then staged on Broadway later that year—seven years before Porgy and Bess, please note.
New York City Opera Education and the Schomberg Center for Research in Black Culture presented an evening of discussion, poetry and music from Scott Joplin’s opera, Treemonisha last night to an overflow crowd.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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