Infrequent flyers in unfamiliar skies Infrequent flyers in unfamiliar skies

Jonathan Dove’s Flight, which premiered at Glyndebourne in 1998 and is now being streamed by the Seattle Opera, is structured like one of those baroque extravaganzas where some half dozen characters find themselves (in every sense) on a magical island, its properties little understood.

Truth or dare Truth or dare

On the 21st of this month Romanian soprano Virginia Zeani will celebrate her 95th birthday and Trove Thursday salutes her versatility with two markedly different 20th century works: Menotti’s The Consul and Mascagni’s Il Piccolo Marat, one of many collaborations with her husband Nicola Rossi-Lemeni.

Well equipped Well equipped

While last year’s finals were dominated by early nineteenth-century bel canto arias, this year’s finalists took on a remarkably broad range of music from a variety of repertoires.

What’s at stake for a soul on fire? What’s at stake for a soul on fire?

Norman Dello Joio, who was knocking about winning prizes for film and TV scores, composed The Trial at Rouen, his second opera on the subject, for NBC.

Buyer’s market

La Cieca was cced the following letter sent by a “long-time patron of NYCO” in response to “the recently received Subscription Renewal Brochure.” She has withheld the patron’s name by request.

Just salvage

Santa Fe has done a brave and laudable thing is presenting the first major revival of The Last Savage in decades, and if the libretto were, perhaps, translated into Hindu, the production values, excellence of cast, and directorial choices could conceivably work their magic of, if not pulling a rabbit out of a hat, then…

Ripped from the headlines

They’ve been celebrating the centennial of Gian-Carlo Menotti lately, spouting wild claims for the immortality of his music. He did have an impressive run of successes in the 1940s, but he lived till 2007 with many more premieres and nary another hit. 

Worth the wait

Arthaus Musik has released on DVD a superb 1963 “Historical Studio Production” of Der Konsul, a German language filmed version of Menotti’s 1950 opera, The Consul. It is a dark, harrowing vision of Menotti’s “denunciation of all forms of tyranny”, beautifully sung, superbly acted, and directed with an almost film noir/expressionistic style by Rudolph Cartier.…