We shared a feeling that writing about The Fugitive Kind was a date with destiny.
In I Can’t Imagine Tomorrow, we’re contending with Kim Stanley and the last gasp of the Method.
Cat on a Hot Tin Roof is sometimes called the American King Lear, which nods to themes of a father and his disappointing children… but I think it’s also Shakespearean in its sprawl and grandeur.
There’s no way for any production of Suddenly Last Summer to completely avoid at least a whiff of camp.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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