(A)nything (B)ut <em>(C)armen</em> (A)nything (B)ut <em>(C)armen</em>

Calling from 2066, Brendan Latimer argues that the best way to save opera might be to just blow up the standard repertoire altogether.

Don’t go in the basement Don’t go in the basement

Malin Byström is a radiant water nymph in the Bayerische Staatsoper‘s house-of-horrors-set Rusalka. 

Married to their jobs Married to their jobs

Ahead of their opening in Don Carlo in Dallas tonight, Christopher Corwin chats with Nicole Car and Étienne Dupuis — and offers a special edition of Chris’s Cache!

O stars of wonder, stars of night O stars of wonder, stars of night

A starry (and potentially annual) Christmas gala lights up Carnegie Hall.

I’m still thinking about Martin Kusej’s <em>Rusalka</em> I’m still thinking about Martin Kusej’s <em>Rusalka</em>

The production is based on the Elisabeth Fritzl story, and it really made me reconsider this opera’s fairy tale storyline.

Celebrate good times Celebrate good times

Austin Opera’s 40th anniversary gala celebrated the present while gesturing boldly towards the future.

Grail against the machine Grail against the machine

A new production of Parsifal at San Francisco Opera stirred something deep inside Michael Anthonio about how music soothes the soul

Marriage is what brings us together today Marriage is what brings us together today

Le nozze di Figaro in Santa Fe is a light and kindly revival while The Turn of the Screw is crisp and atmospheric

If you’re cold, they’re cold If you’re cold, they’re cold

La bohème at The Santa Fe Opera feels warmed over in more ways than one.

I’m never gonna dance again I’m never gonna dance again

A starry cast is hampered by Christof Loy‘s dour production of Rusalka in Barcelona

Married to the mob Married to the mob

Contrasting approaches to Regie duke it out in Cavalleria rusticana & Pagliacci and Rusalka in Munich

Many happy returns Many happy returns

The Met’s mostly successful revivals of The Queen of Spades and La bohème showcase the returns of Sonya Yoncheva and Corinne Winters

More people should listen to Dorothy Maynor More people should listen to Dorothy Maynor

I discovered this magical soprano when I was a teenager, and came across a mixed program RCA Victor LP recital.

Violent delights Violent delights

Some people were introduced to the art form listening to the Met’s NBC broadcasts on a glowing tube radio or watching acid-trip animated adaptations on the BBC or seeing Elmer Fudd sing, “Kill the Wabbit.” I came to opera through simulated drive-by shootings soundtracked by The Marriage of Figaro. 

Green grow the lilacs Green grow the lilacs

Eastern Long Island remains surprisingly verdant even into the early fall.

Parable of the prodigious son Parable of the prodigious son

I’m old enough to remember when Yannick Nézet-Séguin could do no wrong.

Psychological projections Psychological projections

“The distance between dreams and reality is called action.” – Brian Tracy

“I just sing whatever I can get my throat around” “I just sing whatever I can get my throat around”

Rachel Willis-Sørensen might be the greatest American soprano right now who doesn’t sing much in America.

Yo soy Daniela Yo soy Daniela

Mezzo-soprano Daniela Mack appeared at the Kennedy Center Terrace Theater this past Thursday with pianist Keun-A Lee in a thoughtful and distinctly personal recital program presented by Vocal Arts DC.

Empty chairs Empty chairs

The fourth production of Santa Fe Opera’s 66th Festival Season that opened on Saturday June 22 offered a multitude of firsts.

A hole new world A hole new world

Here’s an update for those keeping up with the Lohengrin casting sweepstakes at the Met.

Love me or leaf me Love me or leaf me

Robert Carsen‘s legendary production of Eugene Onegin finally arrives in San Francisco.

NYCO, out(doors) and proud NYCO, out(doors) and proud

The New York City Opera has become an elusive “now you see it, now you don’t” presence in the New York opera scene since the departure of main sponsor and chairman of the board Roy G. Niederhoffer in 2019.

I had too much to dream last night I had too much to dream last night

Trove Thursday previews next week’s BBC Proms presentation of Elgar’s The Dream of Gerontius with a 2008 broadcast conducted by Colin Davis with Sarah Connolly, Ben Heppner and Gerald Finley.