Perhaps the greatest souvenir of her art there is.
Anna Bolena might be the earliest of Donizetti’s operas that might have name recognition to a non-specialist audience.
This Sunday marked a muted return of the Richard Tucker Foundation Gala, which had the dubious distinction of the fourth edition not to feature a prizewinner and perhaps the first not to provide complete orchestral and choral accompaniment for its performers.
Power struggles, prejudice, feuds and revenge abound in San Francisco at the moment.
Chris’s Cache offers up a quintet of intriguing “forgotten” Leonora-Azucena pairings from the 1970s.
Franco Bonisolli from age 28 to 33 in complete operas by Mozart, Cimarosa, Donizetti and Massenet.
Before rehearsals for Madama Butterfly started, Phil Chan sat down with the box to chat about his production, opera’s cultural appropriation problem, and why the last thing he’s trying to do is cancel Puccini.
This week Chris’s Cache features Maria Chiara, Elena Mauti-Nunziata, Rita Orlandi-Malaspina and Orianna Santunione in L’Amico Fritz, Mefistofele, Simon Boccanegra and La Fanciulla del West, respectively.
On June 20, a rather breezy, pleasant cool summer evening, the soprano Gabriella Reyes, tenor René Barbera and baritone Will Liverman took over the Summerstage space with a wide-ranging, ambitious recital program with Dimitri Dover tickling the ivories.
Old opera productions at the end of their performing life can be sad affairs.
On this day in 1981 the Metropolitan Opera telecast its new and unremarkable production of La traviata.
Angel Blue‘s refulgent, lush soprano blooms as Violetta’s vocal lines broaden and soar.
On the train ride home I was thinking that I don’t want to see or hear Norma ever again.
On this day in 2006 tenor Jonas Kaufmann made his Metropolitan Opera debut as Alfredo.
For me, Fedora is the perfect opera
Anticipating Leontyne Price’s 96th birthday on February 10, Chris’s Cache presents the American diva in an epic collection of live performances.
A quick survey of the Met website shows wide swaths of available seats for the upcoming performances of La traviata and L’elisir d’amore. Only new works like The Hours and Fire Shut Up in My Bones have been achieving sold-out houses.
The first time I heard of Ermonela Jaho it was as the ultimate understudy. In the aughts it seemed that every time Angela Gheorghiu or Anna Netrebko or whoever canceled, Jaho was standing by.
Alma Deutscher’s quest for beautiful music permeates the score of her Cinderella from the hushed opening of the Overture.
Soprano Lydia Grindatto confirmed the fine impression she had made at Giargiari vocal competition with a charismatic, thoroughly inhabited performance that showed careful preparation in every aspect.
On this day in 1965 Montserrat Caballé and Sherrill Milnes made their Metropolitan Opera debuts in Faust.
I have a horrible confession. I’ve always judged the quality of an opera largely on the number of dead characters at the finale.
San Francisco Opera has unveiled a brand-new production of Giuseppe Verdi’s warhorse classic La traviata, the first “to be built in San Francisco Opera’s scene and costume shops in 35 years.”
After putting a hiatus on their awards in 2020 and 2021 (for reasons that are all too well-known to all of us), the Richard Tucker Foundation Gala returned on Sunday evening November 13 honoring soprano Angel Blue the 2022 Award winner.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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