The bonkers, bewildering Die ägyptische Helena begets a suitably lush musical and creative treatment at Bard SummerScape.
Ahead of his new production of Die Frau ohne Schatten, Barrie Kosky chats with Kevin Ng in Aix about pretty much everything — except the details of his new Frau.
Tobias Kratzer digs beneath the surface of Strauss‘s Intermezzo in an excellent new DVD from Deutsche Oper Berlin.
Eli Jacobson on a luscious evening of early Strauss with Guntram at Carnegie Hall
As New Yorkers swelter in the Fahrenheit 90s. Trove Thursday escapes to wintry Vienna 1920s for Richard Strauss’s Intermezzo (in English) sumptuously conducted by Julius Rudel and starring the incomparable Elisabeth Söderström as the delicious, exasperating wife of Alan Titus.
VIctor Herbert demonstrates in this slight, affectionate piece a talent for keeping his musico-dramatic balls in the air, as Madeleine’s spirits juggle, fall, rise again, and droop to elegant resignation at the last.
Munich’s Bayerische Staatsoper’s victory lap at Carnegie Hall concluded Thursday night with a sumptuous Der Rosenkavalier spectacularly conducted by Kirill Petrenko
The glorious and beloved Elisabeth Söderström tackles the fiendishly difficult role of Christine in a 1974 performance from Glyndebourne.
Three decades before Joyce DiDonato and Juan Diego Flórez dazzled the world with their La donna del lago roadshow, another deluxe team headed by Frederica von Stade and Marilyn Horne shone in Rossini’s neglected masterpiece.
They say that Boston, despite many cultural distinctions, ain’t no opera town, and for some decades—generations?—this has been true. But tides of change will break, even on the shores of the Hub.
It is hard to know just who is the intended audience for this release of Pelléas and Mélisande.
They’ve been celebrating the centennial of Gian-Carlo Menotti lately, spouting wild claims for the immortality of his music. He did have an impressive run of successes in the 1940s, but he lived till 2007 with many more premieres and nary another hit.
In the process of unearthing forgotten musical works, sometimes we stumble across a gem. World War II saw an entire generation of European composers forced into internment or diaspora, and their works are only slowly being rescued from obscurity. In a recent DVD release from the LA Opera, a part their Recovered Voices series, we…
Although billed as “I Love Lucy the opera”, New York City Opera’s production of Richard Strauss’s conversation-piece Intermezzo offers far more emotional depth than the much-loved 1950s sitcom. Yet ironically, in key moments it lacks the necessary heart which Lucy had in spades.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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