Barbara Strozzi links two sensuous programs by L’Arpeggiata and Catapult Opera.
Rather than focusing on a narrative, Unholy Wars explores a series of timeless yet current themes: war, destruction, alienation, and what it means to be perceived as outsider—particularly from the Middle East—in the context of a violent world.
Off-and-on since last fall my PPP (Personal Pandemic Project) has been assembling a chronology of the American Opera Society. For 19 years beginning in 1951 it presented a remarkable series of concert performances of works unperformed by either the Met or New York City Opera.
Trove Thursday acknowledges the late Raymond Leppard‘s important influence with a live broadcast of his seminal “realisation” of Cavalli’s L’Ormindo plus some Cavalli and Monteverdi tidbits with Janet Baker.
For all the company’s good intentions this opera-dance combo was not one of its happiest outings.
“CanCon”, or Canadian Content, is always a concern in Canadian cultural discourse.
I suspect most New York City opera-lovers had long since given up hope that the fascinating soprano Anna Caterina Antonacci would ever return to their city.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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