I attended the Sunday, May 13, performance with bittersweet anticipation.
“Trove Thursday” turns its Rossini-150 series to one of the composer’s least known but tastiest comic gems La Pietra del Paragone with Julia Hamari, Justino Diaz, Alessandro Corbelli, Claudio Desderi and Paolo Barbacini conducted by Roberto Abbado.
As Despina in the Metropolitan Opera’s new production of Così fan tutte, Kelli O’Hara injects much needed vitality into an otherwise lethargic evening.
“Trove Thursday” offers Così fan tutte with Pilar Lorengar, Josephine Veasey, Lucia Popp, Luigi Alva and Kieth Engen with Georg Solti conducting.
My mother leaned in and quietly whispered,”Is that Leontyne Price?” to which I replied,”Shhhh!”
On this day in 1996 mezzo-soprano Cecilia Bartoli made her Metropolitan Opera stage debut as Despina.
Renée Fleming makes her belated “Trove Thursday” debut as Sandrina in a rare early performance of Mozart’s La Finta Giardiniera.
Arabella with Wolfgang Sawallisch conducting a prime-time 1980s Munich cast.
Bard College presented a semi-staged concert of Halka on Saturday evening as part of its impressively wide-ranging two-week “Chopin and his World” festival.
Gone are the halcyon days of tradition and ritual.
“Trove Thursday” provides a live broadcast of Mozart’s rarely performed cantata Davide Penitente by Les Arts Florissants conducted by William Christie.
LoftOpera’s accurately but unpromisingly named Pergolesi & Vivaldi stumbled rather than soared.
I reckon marketing a sex-themed opera in Brooklyn should be like selling bacon-flavored froyo in Vermont.
This week’s feature is a classic Salzburger Festspiele performance from 1959 with the all-star cast of Leopold Simoneau, Lisa Della Casa, Kurt Böhme, Erika Köth, Walter Berry, Hans Hotter, Graziella Sciutti and Karl Dönch conducted by George Szell.
Sony Classical has now released “Leontyne Price Prima Donna Assoluta” containing nearly her entire operatic oeuvre in a box set.
Jonny spielt auf, the second opera by 26-year-old composer Ernest K?enek, was such a huge success after its 1927 Leipzig premiere that in the following season it was performed 491 times in Germany alone.
Patrice Chéreau, the humanist in provocateur’s clothing, returned to Wagner in 2007 at La Scala with Daniel Barenboim and Waltraud Meier.
Ambivalent is how I feel about Cosí fan tutte.
Idomeneo proved enormously moving while a much more complicated Così fan Tutte went for shallow romantic hijinks stripping that work of its darkly ambiguous disturbing view of love.
Puccini’s Madama Butterfly with an unexpected heroine: the electrifying Julia Varady, seduced and abandoned by the suavely ardent Giacomo Aragall.
The unevenly-beating Heart unfortunately proved less than the sum of its deluxe parts.
LoftOpera offered an unusually satisfying, immensely entertaining production of Rossini’s scintillating portrait of an inveterate seducer.
Louis XVI, Marie-Antoinette, and a slew of their members of court are hanging out in the afterlife…
A “lone voice in the wilderness” booed Barbara Frittoli’s calamitous Nedda.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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