Truly, I think it would be almost impossible to overpraise Anna Magnani in a performance that’s absolutely riveting from start to finish
I’ve said it before, and I’ll say it again: nobody hits rock bottom like Susan Hayward.
Bus Stop deals with uncomfortable questions of sex and longing, and it also examines a desire for human connection that often comes up short.
It is interesting to consider how strongly Inge focuses on women (mostly single or widowed) and sex, particularly from his position as a (closeted) gay man.
A theater-critic friend of my father once said that Laurence Olivier played American like it was a character choice.
Dolly definitely did not have me at Hello!
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