Meet parterre’s new tutelary spirit, tenor August Schram, star of Metube.
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“Il Leone di Lucca” (as La Cieca has never heard the composer called) was born December 22, 1858.
Those slackers among you who were not in attendance for Sunday’s chat/viewing of the Bayerische Staatsoper Turandot now have the chance to get up to speed.
La Cieca celebrates (if that is the word) the first snowfall of the season in New York in the traditional manner.
Then and now: the “Dio ti giocondi, o sposo” duet from Otello.
No, not a Regie quiz—though that feature will return soon enough now that the season is up and running—but rather an image from the new Dmitri Tcherniakov production of Jenufa for the Opernhaus Zürich.
You may recall a couple of weeks ago La Cieca spoke to Giuseppe Filianoti about the “lost” aria from Cilea’s L’arlesiana he had reconstructed to include in a concert performance of the opera.
That most operatic of all operas, Il trovatore, has been done many ways, but here’s a first: the warhorse as bottle episode.
You can call Robert Lepage many things (and the critics have!), but one thing you cannot call him is “inflexible.”
La Cieca (not pictured) has just accessed a new feature in YouTube that imported a dozen or so “classic” parterre video clips from Google Video into the familiar YouTube interface.
A friend of the box just reminded La Cieca that tonight, April 22, 2012 is the 40th anniversary of the farewell gala honoring Sir Rudolf Bing.
You’ve heard what it sounded like; now you can see Saturday afternoon’s HD of La traviata, thanks to YouTube.
“Though Mr. Herheim’s work is rigorous, it is also fun, and this Rusalka is serious but the opposite of dour.”
Maestro Wenarto achieves video number 1,500 with this opéra comique take on the immortal “Habanera” from Carmen.
Still going strong after (approximately) 1,500 YouTube appearances, Our Own Maestro Wenarto celebrates the anniversary of his birth today.
No shortage of interesting guesses, but, alas, none of the cher public were only MontyNostry was able to identify last week’s Regie quiz by the three images chosen. The opera, in fact, was Pikovaya Dama, and that lady taking a nap in her corset in the third photo is none other than the title character. Some…
In preparation for tonight’s Angela Gheorghiu/Jonas Kaufmann Sternstunde at Carnegie Hall, La Cieca invites the cher public to share your favorite memories and YouTube clips of Adriana Lecouvreur performances present and past. (Photo: Alastair Muir)
The already notorious or celebrated or whatever it is version of the “Habanera” featuring (in alphabetical order) Maria Callas and Angela Gheorghiu: it’s been released, and you can experience after the jump.
La Cieca supposes that maybe the reason Angela Gheorghiu doesn’t include any music from Manon Lescaut on her new “Homage to Callas” CD is that she can’t quite identify with the character?
For those of you not fortunate or not conscientious enough to attend Atys at BAM this week, there’s a video document of the production (taped earlier this year) following the jump.
Since this lyric will not be sung in the Broadway revival of Follies this weekend (the performances are canceled), La Cieca has decided to invite the cher public to share their own favorite operatic hurricanes, storms and tempests. Your doyenne will start you off, after the jump.
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