So, give me three good reasons we should not hear Jamie Barton as the mother of Salomé?
Win Free Tickets to Nina Stemme at Carnegie Hall
“The island is only small / But the fairies inhabiting it / Welcome us all”
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“The island is only small / But the fairies inhabiting it / Welcome us all”
That means you—and your even more significant other—should you win this pair of seats. Enter now »
“As for next year, Gheorghiu makes an as-yet-unannounced return for the first time in seven years to the Met in New York.”
New York City Opera (remember them?) have announced a program for spring 2021, with repertoire consistent with the company’s recent policy of equal-opportunity pandering.
The entire Metropolitan Opera schedule for 2020-2021, in what looks like a fairly plausible form, has been leaked.
Anna Caterina Antonacci headlines the New York City Opera’s 2019-2020 season with a one night only concert performance of Britten’s Gloriana.
The Met press office has just confirmed that the company’s 2020 revival of La Damnation de Faust has been converted into four concert performances January 25 – February 8.
La Cieca is delighted to announce that the most popular posts for the month of February dealt primarily with the Met season yet to come.
A week before the traditional date for the announcement of the Met’s 2019-2020 season, the clairvoyants who cobble together the Future Met Wiki have essentially the entire schedule ready for your perusal.
Yusif Eyvazov just let slip what we must assume is a very long-term project indeed for himself and Anna Netrebko: the title roles in Tristan und Isolde.
In what will surely be a fever dream for critics and diacritics alike, Renée Fleming sings Björk with the New York Philharmonic next season.
Karita Mattila has just rather casually let slip that she has “signed in for [her] first Isolde.”
A gaggle of our parterre critics (not pictured) had what the kids call a “kiki” recently and “spilled the tea” (as the middle-aged folks say) about their greatest expectations for the New York fall season.
La Cieca is almost certain that Diana Damrau will not appear at the Met this fall for La traviata.
At long last (and about fucking time) undisputed genius Stefan Herheim will make his Metropolitan Opera debut, staging Les Vêpres siciliennes.
The frequently-omniscient Future Met Wiki has recently vouchsafed a few morsels about upcoming Met seasons.
Barihunk John Chest headlines San Francisco Opera’s Billy Budd in the fall of 2019.
The press release for the Royal Opera’s 2018-2019 season promises “world-renowned opera stars including Michael Fabiano, Jonas Kaufmann, Anna Netrebko and Eva Maria Westbroek among other treats.
With the Met’s announcement of the 2018-2019 season approximately a week away, La Cieca thought we should review the always oracular and generally accurate Future Met Wiki.
“Briefly, the character of the heroine is a crazy bothersome hysterical bitch.”
Jonas Kaufmann‘s acclaimed Dick will highlight the Met’s 2018-2019 season.
The list of Anna Netrebko/Yannick Nézet-Séguin collaborations has expanded once again.
In addition to her first Met Aida performances next season, forthcoming projects for the one and only Anna Netrebko just keep gushing out.
Yannick Nézet-Séguin leads an epic Wagner opera concert
Yannick leads The Philadelphia Orchestra, superstars Nina Stemme and Stuart Skelton, and world-class singers in a rare concert performance that reveals every detail and nuance of this richly harmonic score. Experience the passion and cold-hearted revenge of this scandalous opera. Get tickets now!
Yannick leads The Philadelphia Orchestra, superstars Nina Stemme and Stuart Skelton, and world-class singers in a rare concert performance that reveals every detail and nuance of this richly harmonic score. Experience the passion and cold-hearted revenge of this scandalous opera. Get tickets now!
Pick a little, talk a little
Following the successful launch of the new regular feature The Talk of the Town in January, the team at the box is inviting contributions for a new quarter of operatic potpourri.
Following the successful launch of the new regular feature The Talk of the Town in January, the team at the box is inviting contributions for a new quarter of operatic potpourri.
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