La Cieca has come into possession of an interesting presentation, with fonts and everything, from Local 802, American Federation of Musicians, and the Metropolitan Opera Orchestra, outlining their solution for the current financial crisis at the Metropolitan Opera.
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After last night’s opening of L’elisir d’amore, the chirping of the first critics is heard.
The Wall Street Journal‘s Heidi Waleson is the latest to chime in with the “Manon must be an innocent virginal child” thesis, and La Cieca is uneasy about the implications of this line of reasoning.
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