Cher Public

Broadcast: Xerxes

Stefan Herheim‘s intensely enjoyable “barocke Muppet-Show” take on Handel’s opera starts streaming at 1:00 PM today on OperaVision. Read more »

“It can never be a simple experience”

“I am an artist first, but also Catholic and homosexual. That should not be left out.” Stefan Herheim, in London for a new production of Queen of Spades at the Royal Opera, manages to get the occasional word in edgeways despite interviewer Rupert ChristiansenRead more »

Country matters

Je vois d’autres lumières.

The internal jukebox working in the way it does, I have for over 20 years been unable to hear any reference to Glyndebourne without Kit and the Widow popping into my head. They were a cabaret duo who were a permanent fixture at the Edinburgh Fringe and one of the mainstays of their repertoire was a song, set to a well-known operatic overture (I leave it to the cher public to work out which one) which contained the lines “We’re off to Glyndebourne/To see a rather boring opera by Rossini.”  Read more »

You gotta ring them bells

The New York Times has the scoop! At long last (and about fucking time) undisputed genius Stefan Herheim will make his Metropolitan Opera debut in “a future season,” staging Les Vêpres siciliennes. Read more »

Star and garters

No amount of scholarly diligence has kept Les contes d’Hoffmann from being the messiest of all standard-repertory messes.

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The sprite in you

Today’s Rusalka video overview covers filmed performances of Dvorák’s opera since 2010.

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Chat: Pikovaya dama

Parterre fave Stefan Herheim returns to Dutch National Opera to direct Pikovaya dama, in which the director attempts to reflect on the composer’s life, notably his hidden love for men.

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The chopping block?

After five flops in a row, Mr. McVicar continues to win new assignments from the Met.

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