Matthew Polenzani strode into the Park Avenue Armory’s Board of Officers Room last Monday evening and was received like a beloved friend–and indeed that is what he is to many of New York’s opera-goers.
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Matthew Polenzani returned triumphantly to his comfort zone in a Philadelphia Chamber Music Society recital on April 2.
So, give me three good reasons we should not hear Jamie Barton as the mother of Salomé?
Pavarotti and Freni are gone but the Franco Zeffirelli Bohème remains.
Tenor Matthew Polenzani and pianist Julius Drake’s performance left this listener in a a state of euphoria.
This season’s Met Donizetti Tudor Trilogy concluded with Roberto Devereux, given its penultimate performance by HD transmission Saturday, April 16. It is good to see these works finally given here; they are too important, too crucial a part of the operatic repertory to have been ignored for as long as they have.
During its first-ever Roberto Devereux Thursday evening one felt transported back to the Volpe years: four of the Met’s biggest stars shining in an opulent (if occasionally perverse) but reassuringly non-challenging production paid for by Sybil B. Harrington.
Friday’s season premiere at the Met of Donizetti’s opera about the doomed Scottish queen proved surprisingly satisfying and a genuine success for Sondra Radvanovsky.
Returning after 99 years for the Met’s annual New Year’s Eve gala, Bizet’s youthful exercise in Orientalia Les Pêcheurs de Perles proved a real crowd-pleaser.
La Cieca’s familiar spirits have been turning their generally steely eyes to the Future Met Wiki, attempting in vain to make sense of impending repertoire and casting at Casa Gelb.
Though at the moment we have no indication that there will be a cast change for the final three performances of La Cenerentola at tha Met, La Cieca does think the group mind should apply itself to the pressing question of exactly wbich tenor will appear in the HD telecast on May 10.
Those dear, dear people over The Greene Space at WQXR would like you, cher public, to join them this Friday for a concert saluting this year’s winner of the Richard Tucker Award, mezzo-soprano Isabel Leonard.
“American tenor Matthew Polenzani sings the title role opposite Natalie Dessay as Antonia, Christian Van Horn as the four villains, Angela Brower as Nicklausse, Hye Jung Lee as Olympia, Irene Roberts as Giulietta and Jacqueline Piccolino as Stella.”
Matthew Polenzani will sing the role of Leicester in all performances of the Met’s new production of Donizetti’s Maria Stuarda this season.
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