The old song and dance The old song and dance

The most disappointing performance in 30 otherwise glorious years of William Christie and Les Arts Florissants visiting New York City.

on March 03, 2019 at 1:06 PM
Goodbye, gorgeous! Goodbye, gorgeous!

Can a surfeit of pleasure become—in the end—unsatisfying?

on July 29, 2017 at 11:45 AM
Martyr system Martyr system

William Christie’s Les Arts Florissants made a much-anticipated appearance at Lincoln Center’s White Light Festival Saturday performing Theodora.

on November 02, 2015 at 11:00 AM
Garden party Garden party

Many large opera companies these days host valuable young artist programs dedicated to helping singers negotiate the difficult transition between leaving the conservatory and becoming full-time performing artists.

on April 25, 2015 at 11:07 AM
Platée du jour Platée du jour

What must have raced through the mind of the none-too-comely Spanish Infanta when she learned that the opera to be performed during the celebrations for her 1745 wedding to the French Dauphin revolved around the comeuppance of an ugly yet vain water nymph tricked into believing Jupiter was her ardent suitor?

on April 03, 2014 at 2:03 PM
The diva wears Prada The diva wears Prada

“Oubliez le XVIIIè siècle. A l’Opéra Comique, Platée s’installe sur les podiums d’une fashion week parisienne!”

on April 03, 2014 at 11:26 AM
Falling in love, never again Falling in love, never again

Marc-Antoine Charpentier’s opera David et Jonathas, written for a celebration at a Jesuit school in 1688, premiered together with a Latin verse drama, Saul, now lost.

on September 14, 2013 at 9:23 AM
Love is only love Love is only love

Of the two love stories that unfolded at David et Jonathas Wednesday night, it’s hard to say which was more moving.

on April 19, 2013 at 2:25 AM
Boys to men Boys to men

You have only until Sunday to catch the most heart-breaking moments seen on New York City operatic stages this season.

on April 18, 2013 at 2:07 PM
The boy friend The boy friend

Since its life-changing Atys first arrived in 1989 at the Brooklyn Academy of Music (where the Lully returned one last time in 2011), Les Arts Florissants has presented works there which have challenged many perceptions about 17th and 18th century opera.

on April 10, 2013 at 8:40 PM