Here’s bel canto goddess Mariella Devia in fiery form for the final cabaletta from Anna Bolena earlier this month in Palermo. (Just ignore the annoying interpolated interviste.) [kml_flashembed movie=”http://youtube.com/v/rT5cpY2qJ2c” width=”425″ height=”350″ wmode=”transparent” /]
By La Cieca
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La Cieca hears from several authoritative sources that Diana Damrau will sing the autumn revival of Lucia di Lammermoor at the Met, replacing the gravid Anna Netrebko.
By La Cieca
Here’s an amusing soupcon from the Bay Area Reporter (where the late lamented Tiger Hashimoto once held sway). In his “Out There” column, Roberto Friedman rips the lid off a mini-scandal at the GayVN Awards. Apparently the nominating committee for this group honoring excellence in the gay porn industry were not listening with their “soul…
By La Cieca
La Cieca is loath to scoop dear Bradley Wilber, but rumors are swirling once again about future seasons at the Met. Perhaps the most controversial (among the cher public, at least) of these plans is a new production of Anna Bolena to open the 2011 season, with Anna Netrebko‘s pretty head on the chopping block.…
By La Cieca
(with apologies to Stephen Sondheim) NYC OPERA FANATIC:Bless her soul,Bless her golden throat,All her fans can gloat.Renée’s preparing to chantThe bel canto role. SIEGLINDE:Today is for NormaNorma, the role of the divas of choice.America’s soprano will honor us forever.Today is for Norma,As sung by the Beautiful Voice. RENEE:Pardon me, is everybody here? Because if everybody’s…
By La Cieca
UPDATE: Soprano Renée Fleming has issued the following statement: “Today, December 3, 2007, is the 84th anniversary of the birth of Maria Callas, the greatest interpreter of the role of Norma in the 20th century. In honor of this great artist, I have decided to reaffirm my decision not to sing Norma indefinitely. As a…
By La Cieca
Our Own Gualtier Maldè reflects on Maria Guleghina’s first Met Norma. True confession: I love Maria Guleghina, I really, really love her. I know her flaws but her strengths are such that they sweep aside severe demerits that would consign any other artist to filth. Among contemporary singers she is one artist who thinks big,…
By La Cieca
La Cieca hears that our dear Aprile Millo (who recently had to cancel a Teatro Grattacielo appearance due to illness) is ready to bounce back big time in 2008. Word on the street is that Millo will join longtime colleague Dolora Zajick for a bel canto duet in OONY’s spring gala, followed by a return…
By La Cieca
Now, you really didn’t think La Cieca would let the occasion of Maria Guleghina‘s first Met Norma go unmarked, did you? Oh, please, don’t be ridic, cher public! Surely the ascent of la Guleghina to the summit of bel canto is an experience that must be enjoyed communally. And since La Cieca has no intention…
By La Cieca
Writes a spy: Today at the final dress, it was pretty obvious why Reneeeeee would cancel her Normas – the “Sempre libera” was SCARY bad – completely off the voice for the mewing and really sloppy coloratura, and then she had to go back on-voice to try and get to the Bb/B/C/Db area. The repeated…
By La Cieca
Which Met diva has just vetoed her renascence as a bel canto grande dame? So daunting a role must have given her cold feet, or at least mistle toe.
By La Cieca
“Wall to Wall Opera,” a 13 hour orgy of things operatic, inhabits Symphony Space beginning at 11 a.m. on Saturday. Among the festivities is a master class in bel canto interpretation by Renata Scotto, but the moment La Cieca most eagerly awaits will arrive courtesy of Encompass Opera Theatre. We are promised a performance of…
By La Cieca
Sempiternal Montserrat Caballe, erstwhile Verdian, bel canto specialist, Straussian, lyric soprano, coloratura soprano, dramatic soprano and pop singer, reinvents herself once more as character comedienne. Presenting La Superba as La Duchesse de Krakenthorpe in La Fille du regiment.
By La Cieca
Iridiscent Ira Siff will give (though not too much) a master class under the auspices of the Metropolitan Opera Guild on Wednesday, March 7 at 4:15 – 5:30 P.M at DiCapo Opera, Lexington Avenue at 76th Street. He will coach three young singers on Mozart, Puccini and the bel canto. Some tickets will be available…
By La Cieca
The final act of Loreley is hardly the only attraction on the current episode of Unnatural Acts of Opera. La Cieca also salutes the birthdays of three of the greatest sopranos of all time, and, can you believe it, presides over the return of one of your all-time favorite features, “The Enigmas of La Cieca.”…
By La Cieca
Compare and contrast the bel canto stylings of Elizabeth Futral and Anna Netrebko tonight when La Cieca hosts yet another of her live chats here on parterre.com. The live Met/Sirius broadcast of Bellini’s I puritani featuring Futral begins at 7:30 Eastern and the taped PBS telecast with Netrebko begins at 9:00. That’s here in New…
By La Cieca
La Cieca’s cher public are, as in so many aspects of their existence, well ahead of the curve on foreknowledge of casting at the Met in the bel canto and German wings. Perhaps this wintry Friday is a good time to move on to a more semi-substantiated gossip, now on the subject of the operas…
By La Cieca
Five newspaper reviews are in for Anna Netrebko‘s Met Puritani, and the score stands at four postive, one mixed: “With the smoky colorings and throbbing richness of her sumptuous voice, Ms. Netrebko was an unusually vulnerable Elvira. Bel Canto purists may find fault with her sometimes imprecise execution of coloratura runs and roulades. But I…
By La Cieca
Which veteran Met star had his nose buried so deep in his score that he collided clumsily with a chorister at a final rehearsal? The low-voiced divo erupted in threats, but calmed down soon enough when he realized that he was yelling at the AGMA Rep! Which soprano now has a large hole in her…
By La Cieca
Soprano Mariella Devia — who La Cieca thought was such a sweet ingenue type — turns tigress for the title role of Lucrezia Borgia (Donizetti). This live performance from 2003 also features Daniela Barcellona (Maffio Orsini), Marcelo Alvarez (Gennaro) and Michele Pertusi (Don Alfonso, Duca di Ferrara) under the baton of Renato Palumbo. The Prologue…
By La Cieca
Peter Gelb‘s new broom continues to sweep at the Met. Perhaps to make room for the Gheorghiu/Netrebko/Damrau generation, the incoming General Manager is buying out contracts. Two Met artists in particular are targeted, and, oddly enough, these two ladies have quite a bit in common. Both are 40-something light lyric sopranos, and they have three…
By La Cieca
