Over the course of 700 pages, Alex Ross exhaustively—and sometimes exhaustingly—examines an impact that began in the Wagner’s own lifetime and continues unbroken today, with references cropping up in contemporary works as different as The Matrix and Curb Your Enthusiasm.
2 comments
“And as I thought about it, I couldn’t help wondering: when did Alex Ross become Carrie Bradshaw?”
“That [Tchaikovsky] committed suicide cannot be doubted, but what precipitated this suicide has not been conclusively established…”
“Pound for pound, ton for ton, it is the most witless and wasteful production in modern operatic history.”
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