“Something happens on the opera stage when Aprile Millo and Marcello Giordani are on it together. It may not be perfect. It may even be a little awkward at times. But it’s real singing – at best, wonderful singing. And people want it.” That’s Anne Midgette in today’s New York Times, and she’s obviously as…
A Baroque Valentine’s with Opera Lafayette | Feb | DC & NYC
Celebrate love in all its guises with tender ballads, amorous duets, cheeky verses, and bawdy drinking songs plus food, cocktails and wine.
Just a reminder that some of the humor from the print version of parterre box is archived online: New Roles for CeciliaThe ImpresariosThe Ballad of Billy BuddAll About SteveA Bitchy ClassJust Jessye!Ain’t it a pretty voice?Valley of the DivasThe Texaco Opera QueensBartoli Meets SwensonBeefcake in OperaTen Rules for Stage DirectorsMissed OpportunitiesTen Great Awakening Scenes
Finally Renaaay has admitted what so many of us have insisted for so long: she croons, and, what’s more, her Manon might sound better with electronic amplification. Oh, guess what, she yaks interminably about her jazz obsession, too, in this story.
This afternoon at 1:30 EDT, a live performance of Un ballo in maschera on BBC radio from the Royal Opera House, Covent Garden, featuring Karita Mattila in her first production as Amelia, with Marcelo Alvarez, Thomas Hampson, Elisabetta Fiorillo and Camilla Tilling under the baton of Antonio Pappano. (This information comes from the superb resource…
You could say last night at the Met was a typical Aprile Millo performance, if that expression were not essentially an oxymoron. “Typical” and “Millo” really don’t intersect in this dimension (maybe somewhere on a spiritual plane? But I digress.) Let’s just say that, what happens at a Millo night, happened last night, which is…
Which intendant-to-be is gaining a nasty reputation for nepotism, as in forcing his wife’s baton down the throat of opera companies afraid to incur his wrath? This kind of behavior ought to send up a red flag… or at least a yellow one.
The Met’s so-called “Millo Pole” will no doubt tonight be swarming with cognoscenti, or as we like to call them around here, opera queens. Aprile Millo sings her only staged Tosca of the Met’s season, and that’s reason enough to shlep over to Lincoln Center. (Millo had a big personal success in Ballo last month,…
Il Gran Teatro della Cieca proudly presents Above the Title: Operatic Superstar as Protagonist. This program features five complete live performances: La Fille du Regiment (Beverly Sills), Salome (Gwyneth Jones), Don Carlo (Franco Corelli), Die Walkuere (Kirsten Flagstad) and Madama Butterfly (Montserrat Caballe). Listen to the program Read more details
Coming up this weekend on “Il Gran Teatro della Cieca,” an all-new, all-recorded-live program of opera. You’ll hear complete performances of La Fille du regiment, Salome, Don Carlo, Die Walkuere and Madama Butterfly, with the title roles taken by Beverly Sills, Gwyneth Jones, Franco Corelli, Kirsten Flagstad and Montserrat Caballe (respectively!) In the meantime, do…
La Cieca hopes you enjoy her radio show (currently featuring an all-Virginia Zeani program) and would like to know: what do you want to hear on “Il Gran Teatro della Cieca?” Complete operas? Highlights? A concert by “Il Divo?” Email your suggestions to [email protected].
La Cieca hopes you enjoy her radio show (currently featuring an all-Virginia Zeani program) and would like to know: what do you want to hear on “Il Gran Teatro della Cieca?” Complete operas? Highlights? A concert by “Il Divo?” Email your suggestions to [email protected].
Well, La Cieca thinks that Jane Eaglen must be a hell of a wonderful colleague, or is it that she has a mortgage payment due on her Seattle condo? Whatever the reason, the Brit Brunnhilde is (you should pardon the expression) jumping in for an ailing Susan Marie Pierson in tonight’s performance of Fidelio at…
La Cieca hears (from sometimes reliable internet snitch Tony Soprano) that Matthew Epstein will make a triumpant return to the 15% biz in general and Columbia Artists Management in particular. Expect an announcement (from someone besides Tony, that is) sometime next week. Glad to see that someone knows his correct Fach! In completely unrelated news,…
La Cieca abandons HTML today and shifts to a blog-driven site. She’s hoping that the easier interface will mean more frequent and timely updates, but I guess you’ll be the judge of that! A rave review for last night’s Ballo at the Met from the hard-to-please Charlie Handelman, in particular Miss Millo and Mr. Giordani…
Is this the new Stefan Zucker?
This one is just a whisper at the moment, but La Cieca has heard that Mirella Freni is not going to show up for the Met Pension Fund gala in May? Like I said, it’s just a whisper, but… Those of you listening to today’s intermission feature during the Met’s Walkuere broadcast just heard Sally…
La Cieca hears that Thomas Hampson may not be singing his first Met Simon Boccanegra in 2006-07 as scheduled. The rumor is that Hampson has been asked to step down so that Placido Domingo can add this role to his already vast repertoire. Can Placido’s Kostelnicka be far behind?
The Impresarios The Ballad of Billy Budd All About Steve A Bitchy Class Just Jessye! Ain’t it a pretty voice? Valley of the Divas The Texaco Opera Queens New Roles for Cecilia Bartoli Bartoli Meets Swenson Beefcake in Opera Ten Rules for Stage Directors Ten Questions You’ll Never Hear on the Opera Quiz Missed Opportunities…
In response to a very official-looking email from the Business and Legal Affairs department of the Universal Music Group, La Cieca reluctantly must now reveal that the mp3 she mischievously identified as “a track from Renee Fleming‘s new jazz album” is in fact nothing of the kind. The clip was meant as a travesty of…
La Cieca has just been informed that the legendary team of superagents Bruce Zemsky and Alan Green have packed their bags and moved out of CAMI, presumably to start up their own management firm. Zemsky and Green handled artists ranging from Marcelo Alvarez to Mariana Zvetkova; no word yet on how many of the dozens…
This is getting ridiculous, folks. La Cieca, sitting here in New York, reported four days ago that David Gockley had accepted an offer to helm San Francisco Opera. And now she hears that Gockley broke the news to his Houston Grand Opera staff “days ago.” And still no announcement from the city by the bay!…
Breaking News! According to a source at San Francisco Opera, David Gockley has accepted the company’s offer to serve as their new General Manager — exactly as rumored and then predicted here in La Cieca’s column!
You heard it here first. In fact, you heard it here a month ago — and now the “other” media are finally picking up on the operatic story of the year. According to the Houston Chronicle, David Gockley is mulling an offer from San Francisco “to lead that city’s legendary but troubled opera company.” La…
Which diva, star of a new production that was one of the Met’s hottest tickets of recent years, has refused to repeat her role in a future season because she can’t stand the staging? We’ll hear her sing a different title role instead.
STEMdiva status
Ahead of a special boozy, bawdy Valentine’s Day concert, artistic director of Opera Lafayette Patrick Quigley speaks with soprano Maya Kherani about her journey from MIT to rising American Baroque star.
Tell us: What was the best of 2025?
Parterre Box concludes the thrilling first year of Talk of the Town by inviting your lightning rod opinions on several more categories of operatic argumentation.