Hunkentenor Giuseppe Filianoti performs a little “risqué business” in this trailer for a new production of L’elisir d’amore that opened last night at the Bayerische Staatsoper.
New commenter androgenous says, “I think we are getting a little ahead of ourselves by dismissing Calleja. Rehearsals have been long at the MET and I would presume that if Calleja was found to be inadequate they would have thrown him out or at least had a better replacement.”
La Cieca hears that bodacious Bryan Hymel will make his Royal Opera debut in June as Don Jose, jumping in for an ill (but recovering) Marcus Haddock. Two months before, Hymel will sing his first Énée for Netherlands Opera under the baton of John Nelson in a production by Pierre Audi.
The amazing acute hearing of Anthony Tommasini detects an improvement in the acoustic of that place they used to call the New York State Theater, in fact, he’s willing to commit that the sound is “considerably better than it used to be.” Which is pretty fucking impressive, considering that the last time TT heard an…
So, I was asking my friends with Met Opera insider connections about the new Hoffmann production directed by Bartlett Sher. Seemingly conceived under an unlucky star, this production first lost two of its four heroines when Anna Netrebko decided not sing Olympia and Giulietta but kept Antonia and also Stella, leaving the dramaturgy somewhat lopsided.
Joseph Calleja has dropped out of the dress rehearsal of the Met’s new Les Contes d’Hoffmann because he is ill. Finishing the runthrough is David Pomeroy. La Cieca expects a full hashing-out of today’s rehearsal later today from one of our oldest and most controversial contributors.
Austrian mezzo Angelika Kirchschlager left an incomplete impression as a Lieder singer Sunday night, in a quirky recital program of Brahms, Wolf, Mahler and Reynaldo Hahn, with pianist Warren Jones. Suffering from a cough and swallowing some words, Ms. Kirchschlager succeeded more in gesture than details. Breezing through Brahms’ songs “Meine liebe ist grün,” “Über die Heide,” and “Salome,” faux-naïve songs…