Macbeth at the Festival Verdi in Parma aims big — on a small scale
A pair of Otellos – in Madrid and Parma – is a study in contrasts.
Prompted by Washington Concert Opera’s upcoming Luisa Miller, Chris Cache’s misbehaves five times by offering just the opera’s final act with sopranos from the 1970s, some of whom might be considered “under-appreciated”: Gabriella Tucci, Adriana Maliponte, Renata Scotto, Gilda Cruz-Romo, and Katia Ricciarelli.
A performance recorded earlier this year at the Teatro Regio di Parma.
Larry Wolff continues his musings on Verdi’s varied career, this time over Giovanna d’Arco at the Teatro Regio in Parma
Out of sheer morbid curiosity last evening I pulled up the “orders” page of my Amazon account and searched Otello to discover that over the past 11 years. I’ve ordered 15 items with that title (one as recently as last night!)
This new production of the 1847 original version of Verdi’s first stab at Shakespeare features the extraordinary performances of Luca Salsi and Anna Pirozzi as the Thane of Cawdor and his merry wife.
Verdi’s Attila is hardly a rarity in Italy the way it is in the United States.
America’s longest-standing theatrical lightning rod, Robert Wilson premiered his ethereal, time-collapsing production of Le trouvère.
Verdi’s Macbeth poses a challenge to any company with the audacity to mount it.
It may have taken most of Verdi’s canon to do it, but the “Tutto Verdi” collection finally manages to do justice to Verdi in his last two operas.
I’m happy to report that Rigoletto from the 30 DVD Tutto Verdi set from the Teatro Regio di Parma is a blockbuster
.
Of all of Verdi’s operas. Aida is the one I find least interesting dramatically.
When I acquire DVDs of opera performances, I look for performances which truly merit a video recording; performances in which the totality of the musical and dramatic elements are worth preserving for repeated viewing.
There’s that old joke; What’s the difference between opera and sex? Punchline; you can have good sex.
All of the operas of Giuseppe Verdi contain music that is worth hearing and can be rewarding in good performances.
Verdi’s first operatic masterpiece is well served by this DVD
of a performance from the Teatro Regio di Parma.
There’s something charming and almost irresistible about early Verdi opera. I always equate it to seeing a grade school test from Albert Einstein.
In spite of sounding like an indelicate football injury, I Lombardi alla prima crociata was only Giuseppe Verdi’s fourth opera.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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