A classic 1974 New York City Opera La traviata with Beverly Sills, John Stewart and Dominic Cossa conducted by Julius Rudel.
The Met ushers out this wretched year and rings in the new with an elegant and effective new production of Charles Gounod’s Roméo et Juliette.
With Christmas Eve 2016 falling on a Saturday, the Met offers contrasting orchestral splendors at noon and 6 p.m.
Blood-and-guts singing is the reason to see Nabucco at the Metropolitan Opera this season.
“Good God—an adult musical!”
How often do you hear Macbeth with four really good singers in its four big roles?
I can think of no other role that provides the most unique promise of humiliation, and consequently the most opportunity for glory.
Much like Wagner’s Tristan und Isolde, which launched the Met’s 2016-2017 season, Kaija Saariaho’s L’Amour de Loin is an opera about love and death.
Anna Netrebko‘s Manon was deeply unforgettable for its wide scope, control, and incredible virtuosity.
Akhnaten, seen at the Los Angeles Opera on November 13 tells the story of the Pharaoh who abandoned traditional Egyptian polytheism.
Miss Battle was greeted with a thunderous ovation befitting a beloved singer at the end of an illustrious career.
Leonie Rysanek, would have turned 90 today.
>What does a great opera production do, and what does a bad production fail to do?
At the election-eve Jenufa at the Met, Trumpism made an unexpected, if timely appearance.
What to do with all those glorious short operas: play them alone or find companion pieces?
The 2016 Richard Tucker Award recipient is Tamara Wilson.
Verdi’s Macbeth gets true blood-and-guts treatment from Guillermo Sarabia and the legendary Marisa Galvany.
The centerpiece of Janácek’s Jenufa was the performance of Karita Mattila as the murderous Kostelnicka.
“Take a good deal of trouble with it, because it is a fine subject, delicate and full of pathos.”
The good news is that the first concert was devoted to the exceptional artistry of Lawrence Brownlee.
A simply gorgeous performance of Gluck’s Orphée et Euridice starring Juan Diego Flórez.
Thoughtless direction stifled the epic drama.
Adriana Lecouvreur with the 1970s dream cast of Montserrat Caballé, José Carreras, and Fiorenza Cossotto.
Jean-Pierre Ponnelle’s production of L’Italiana in Algeri for the Met remains steadfastly ignorant of postcolonial theory.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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