Radvanovsky delivered a vocal and histrionic performance that should be the gold standard Norma for years.
Trove Thursday presents as compensation Verdi’s Jérusalem with Cecilia Gasdia, Veriano Luchetti and Silvano Carroli conducted by Donato Renzetti.
Pretty Yende was still hanging around after her last Barbiere and she knows the role of Elvira, having sung it in Zurich last June.
This Met’s second production of Berg’s 1935 opera was the hot topic of November 2015.
Let’s call this meeting to order. My name is Patrick and I’m a boxset-aholic.
Someone—a deranged purist no doubt—heckled Javier Camarena from the balcony of the opera house for withholding the infamous high F during “Credeasi, misera.”
Revive is a manifesto of sorts, declaring Elina Garanca’s intentions for the new direction in her career.
With a cast of stellar singers and uneven direction by Mary Zimmerman, Dvorák’s Rusalka debuts in a new production at the Metropolitan Opera.
Today’s Rusalka video overview covers filmed performances of Dvorák’s opera since 2010.
The beautiful singing here is less in the sound than in the way the voice moves.
Now we find Mariella Devia, a diva held in near mythic regard due to her vocal longevity, with competing videos of two of her performances that were released, literally, on the same day.
Kaufmann conveys Lohengrin’s immense loneliness in a profoundly moving way. I am happy to report that vocally he sounds completely recovered.
In our circle, Mexico City in the summer was the opera capital of the world from the late 1940s and early 1950.
Verdi’s Rigoletto returned to the Met Friday in the stilted “Las Vegas” production by Michael Mayer, with mostly competent singing from a good-looking cast.
The Metropolitan Opera’s revival of Carmen began with a bit of drama Thursday night when tenor Rafael Davila replaced Marcelo Álvarez.
“Trove Thursday” offers a sparkling performance of Rossini’s La Cenerentola from our nation’s capital featuring the scintillating conducting of Claudio Abbado and Lucia Valentini-Terrani in the title role.
The very first Vienna post-war performance of Elektra.
Mortality is ugly—it smells, it makes uncomfortable noises, it takes its time; and then there is the overwhelming sense of dread and helplessness.
Les Pêcheurs de Perles with an impressive Francophone cast headed by the superb Nadir of Alain Vanzo, one of my favorite tenors.
Beaumarchais clearly delighted in this unobtrusive realm.
Jonas Kaufmann announced that he feels ready to return to the stage after calling in sick since last autumn
Breaking the Waves is not only a “real opera,” it is an immensely powerful work of music drama.
One thing that is killing opera is the practice of critics’ comparing the singers they heard last night to dead or retired artists.
2017 happily brings the return of Trove Thursday with a rare and enthralling live performance of Gluck’s Alceste featuring Jessye Norman.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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