A strong revival of Eugene Onegin at the Metropolitan Opera and a recital by Benjamin Bernheim offered the chance to hear “Kuda, kuda” twice in two days.
Anticipating the first new local Aïda in thirty-six years, Chris’s Cache revisits Verdi’s popular opera in four unusually interesting in-house recordings from the Met 1961-1976.
Chris’s Cache features a pair of performances of Iolanta with Tamara Milashkina and Asmik Grigorian
Chris’s Cache offers up a quintet of intriguing “forgotten” Leonora-Azucena pairings from the 1970s.
Old opera productions at the end of their performing life can be sad affairs.
On October 14, 1979 I spent my birthday attending my first all-star opera gala, thrilled at the chance to hear some of the great singers I’d only experienced on LPs, broadcasts or via my pirate reel-to-reel tapes.
Trove Thursday sends best wishes to Michael Tilson Thomas, currently recovering from a recent surgery to remove a brain tumor, and presents him in a broadcast leading the UK premiere of Rimsky-Korsakov’s Mlada with Makvala Kasrashvili, Felicity Palmer, Jon Frederic West and Sergei Leiferkus.
Joan of Arc inspired many splendid works of art including Tchaikovsky’s Orleanskaya Deva which Trove Thursday presents today in a 1975 broadcast featuring the great Russian mezzo Irina Arkhipova and her husband tenor Vladislav Piavko.
Following last week’s Golden Cockerel, Trove Thursday offers another classic Russian opera not in Russian: Borodin’s Fürst Igor with Nelly Miricioiu, Marjana Lipovsek, Bodo Brinkmann, Evgeny Nesterenko, Robert Schunk and Sergei Koptchak conducted by Mark Ermler.
Trove Thursday began on September 10, 2015, so today we celebrate the podcast’s fifth birthday with a diva-starry Aïda double-bill: Galina Vishnevskaya vies for her soldier-hero with Irina Arkhipova, then Jessye Norman wins the guy (but loses her life) in spite of Mignon Dunn.
Trove Thursday turns to another epic opera in which the personal and the political intertwine: Prokofiev’s War and Peace.
If you were in New York on July 7, 1975 chances are you were at the Met reveling in the visiting Bolshoi Opera’s Eugene Onegin.
It never occurred to me that each tape had to be individually dubbed or that others, maybe many, many others, might also be ordering tapes at the same time.
My memory is fading but the events I recall most vividly of the last season seem largely to have been concert performances.
Opera-lovers who attend too much modern opera may find that it feels like duty.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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