Tunnel vision
Lise Davidsen, Michael Spyres, and Yannick Nézet-Séguin are astonishing in Tristan und Isolde at the Met, while Yuval Sharon‘s new production is anything but.
Tomasz Konieczny
31 pieces since 2012 — in 17 roles, at 12 companies, most often at Metropolitan Opera.
31
pieces
17
roles
12
companies
15
years
By role
8 pieces as Metropolitan Opera — stats above show all coverage for Tomasz Konieczny.
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Semper Fidelio
Fidelio, which opened last week at the Metropolitan Opera, will always be relevant, I fear.
Die Frist ist Glum
This Holländer offers neither a clear narrative vision for the work nor a sense of turbocharged drama; it simply sits on the Met’s cavernous stage as a dull gray mass.
Something With a ‘Ring’ to It
Cycle II represented an embarrassment of musical riches.
The end is the beginning of the end
At the Metropolitan Opera’s Götterdämmerung on Saturday afternoon, the fires which consumed the Gods burned lukewarm.
Teenager in love
Stefan Vinke’s Siegfried was not so much brawny and terrestrial, but heady and mercurial
Everybody dance now
Austin McCormack‘s lascivious choreography outshone a tepid and tedious staging of Saint-Saëns’s old-testament epic.
Domino theory
The Metropolitan Opera delivers on the promise of Wagner’s Gesamtkunswerk in a revival of Robert Lepage’s Ring.