Everybody dance now
Austin McCormack‘s lascivious choreography outshone a tepid and tedious staging of Saint-Saëns’s old-testament epic.
31 pieces since 2012 — in 17 roles, at 12 companies, most often at Metropolitan Opera.
1 piece as Abimélech — stats above show all coverage for Tomasz Konieczny.
View allAustin McCormack‘s lascivious choreography outshone a tepid and tedious staging of Saint-Saëns’s old-testament epic.
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