Anna Caterina Antonacci should have made it to the Met
The one who got away was Anna Caterina Antonacci, a thrilling performer.
60 pieces since 2008 — in 20 roles, at 12 companies, most often at Metropolitan Opera.
13 pieces as Metropolitan Opera — stats above show all coverage for Susan Graham.
View allThe one who got away was Anna Caterina Antonacci, a thrilling performer.
Buoyed by a strong cast, The Metropolitan Opera continues its autumn bel canto streak with a winning revival of Donizetti’s La fille du regiment.
The most distinct pleasure of The Merry Widow at the Metropolitan Opera was the polished, yet warm, performance of Susan Graham as Hanna Glawari.
A live broadcast of the prologue to Ariadne auf Naxos featuring Julia Varady, a favorite sopranos in a role she sang only rarely.
This Met’s second production of Berg’s 1935 opera was the hot topic of November 2015.
One can only pray that “three strikes, you’re out” applies at the Met. If so, we can rest easy that Jeremy Sams won’t be getting any new assignments.
Unlike my friend Greg Freed, who entertainingly wrote of his ambivalence about seeing Il trovatore in a movie theater this season, I have embraced the Met Live in HD transmissions as a part of the modern operagoing experience.
Lilith. Pandora. Circe. Salome. “La Belle Dame sans Merci.” Carmen. Brigid O’Shaughnessy: the eternal “femme fatale” still fascinates us.
The winter 2014 final run of the Met’s first/only Rusalka production (a new one is scheduled in a few seasons) seemed both a nod to the theater’s past and a hint of its future.
Love grand opera but wary of a six o’clock curtain with five hours of music behind it? (And nothing is grander than Berlioz’s Les Troyens, eh?) Your dilemma has been solved. Show up at the Met at 7:30 or 8:00, whenever they have the first intermission.
The first opera to be performed in the 21st century at the Metropolitan Opera, thankfully after the lack of total destruction from the Y2K bug, was the recently premiered The Great Gatsby by John Harbison. Commissioned to mark James Levine’s 25th anniversary with the company, the recording of this New Year’s Day broadcast is now […]
Cher public, who else but La Cieca brings you such in-depth arts coverage that you get not one but two reports from spies at the dress rehearsal of the Met’s new La Damnation de Faust ? After the jump, eyewitness accounts of the Lepagerie from Our Own Gualtier Maldè and Sanford.Â
Tuesday morning: A further report from Lindoro Almaviva: Over all the night was a success d’estime. It was a Renee worship night and we got just that. I am sure you will be able to talk in better terms about the singing or lack thereof. My impression is that Renee had an “acting” night, as […]
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