An instrument of your peace
Philippe Sly is sublime as Messiaen’s Saint François D’Assise in Salzburg, though Romeo Castellucci‘s production could brush up on its catechism.
9 pieces since 2014 — in 6 roles, at 6 companies, most often at Metropolitan Opera.
Philippe Sly is sublime as Messiaen’s Saint François D’Assise in Salzburg, though Romeo Castellucci‘s production could brush up on its catechism.
In its first go-around in November 2022, Kevin Puts’s The Hours (libretto by Greg Pierce based on the novel by Michael Cunningham and the screenplay for the Stephen Daldry’s 2002 film was a box office bullseye for the Metropolitan Opera.
Tobias Kratzer‘s production of Das Rheingold at the Bayerische Staatsoper was a resounding success.
Tobias Kratzer‘s Das Rheingold in Munich kicks off a Ring for the post-secular age
I hardly know where to heap my praise first.
It was a night a-tingle with excitement at the Metropolitan Opera House.
Barrie Kosky’s zany production of The Nose time-steps back onto the Komische Oper Berlin stage.
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