Three faces of Violetta
Christopher Corwin surveys the three Traviata casts — led by Lisette Oropesa, Rosa Feola, and Ermonela Jaho — at the Met this spring.
34 pieces since 2008 — in 13 roles, at 11 companies, most often at Metropolitan Opera.
8 pieces as Metropolitan Opera — stats above show all coverage for Patricia Racette.
View allChristopher Corwin surveys the three Traviata casts — led by Lisette Oropesa, Rosa Feola, and Ermonela Jaho — at the Met this spring.
The Met got exactly what it asked for: a safely opulent, resolutely unchallenging Tosca that was far from shabby or little but couldn’t have been less shocking
With Christmas Eve 2016 falling on a Saturday, the Met offers contrasting orchestral splendors at noon and 6 p.m.
I can think of no other role that provides the most unique promise of humiliation, and consequently the most opportunity for glory.
Ana Maria Martinez’s tremendously impressive Cio-Cio-San dominated the season premiere of Puccini’s Madama Butterfly at the Met.
Saturday matinee’s prima Trovatore brought an exciting and compelling show to the Met’s stage in the revival of David McVicar’s dark, Goya-esque production.
Luc Bondy’s Tosca returned to the Met on Wednesday night with an entirely new set of principals and conductor. The new trio of principal singers, all making local role debuts, could not redirect and redesign the production but they could allow their individual talents to outshine their surroundings.
Our Own Sanford reports from this afternoon’s National Council Grand Finals Concert at the Met. First things first: No hunkentenors, but Edward Parks is a barihunk, and Christopher Magiera is almost a barihunk. Now to the important stuff. There were nine singers in the final, and I would say that 10 of them deserved to […]
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