“Pseudo-Greek”
On this day in 1960 soprano Eileen Farrell made her Metropolitan Opera debut in the title role of a new production of Gluck’s Alceste.
50 pieces since 2008 — in 15 roles, at 4 companies, most often at Metropolitan Opera.
On this day in 1960 soprano Eileen Farrell made her Metropolitan Opera debut in the title role of a new production of Gluck’s Alceste.
Despite the continued popularity of Der Freischütz in German-speaking countries, are the magical mature operas of Carl Maria von Weber otherwise really so problematic, their libretti so unwieldy to explain their continued absence from the world’s stages?
With most of us dug in for the duration, there’s no better time to tuck into a CD box set of neglected treasures. Not that I needed an excuse, mind you.
My first reaction in 1974 wasn’t good. The production was full of stairs, and I was afraid Montserrat Caballé would fall at any moment.
Again dipping into the rich archive of live recordings remastered and made available by the late Mike Richter, we find this selection from his early disc “Odd Opera 2.”
This Bard production, led by Leon Botstein, makes the strongest possible case musically, dramatically and visually for Smetana’s opera Dalibor.
Among the many reasons La Cieca has to be thankful: the legacy of Mike Richter on his CD-ROMs.
Let’s call this meeting to order. My name is Patrick and I’m a boxset-aholic.
Chris’s Cache sends Renata Scotto a valentine ahead of her 89th birthday next week with rare in-house recordings of eight (!) mid-career performances spanning 1971-1977.
Next week the Italian soprano Mariella Devia celebrates her 70th birthday so “Trove Thursday” salutes her with one of her earliest New York successes: Delibes’s Lakmé
When my editor suggested to me a round-up of my favorite recordings of Jacques Offenbach’s Les Contes d’Hoffmann I was très, très, intrigued.
I am happy to finally add Les contes d’Hoffmann to the playlist in a Salzburg performance from 2003 with Neil Shicoff in one of his parade roles.
“Trove Thursday” presents a complete Prodanà Nevesta (aka Die Verkaufte Braut, of course) by Smetana plus extended excerpts from a broadcast of Spontini’s La Vestale in its rarely heard original French version.
On October 14, 1979 I spent my birthday attending my first all-star opera gala, thrilled at the chance to hear some of the great singers I’d only experienced on LPs, broadcasts or via my pirate reel-to-reel tapes.
Les Pêcheurs de Perles with an impressive Francophone cast headed by the superb Nadir of Alain Vanzo, one of my favorite tenors.
Starring Jamie Barton, Orfeo ed Euridice returns to the Met next month for the first time in more than a decade so “Trove Thursday” offers two complete live versions of Gluck’s masterwork.
Those of you cher public who ordered and enjoyed Decca’s bargain Wagner box may now be interested in a bargain Puccini edition offered by EMI. The set, Puccini: The Operas, retails for $59.98 (less than four bucks a disc) and includes complete performances of:Â
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