Touched by a fallen Angel
Angel Blue‘s refulgent, lush soprano blooms as Violetta’s vocal lines broaden and soar.
30 pieces since 2012 — at 5 companies, most often at San Francisco Opera.
9 pieces as Metropolitan Opera — stats above show all coverage for Nicola Luisotti.
View allAngel Blue‘s refulgent, lush soprano blooms as Violetta’s vocal lines broaden and soar.
Friday night’s Rigoletto at the Metropolitan Opera revealed once again a predictable dissonance between the performances on stage and Michael Mayer’s production.
You’d want to expect that every Met retread would draw the same curiosity, the same large crowds, to Lincoln Center.
At tonight’s performance of Aida at the Met, the Triumphal Scene horses suddenly panicked and tried to bolt from the stage. I can’t say I blame them.
Puccini’s Girl closes out the 20th century and gallops into the 21st.
Anna Netrebko is the greatest performing artist singing opera today. Nobody else comes close; she makes me love her in a way that verges on the erotic.
Headlining the Met’s current revival of both Cavalleria Rusticana and Pagliacci, Roberto Alagna was operating on all cylinders Monday evening.
You may remember, gentle readers, that last year about this time Peter Gelb decided to enter into an unholy alliance with Target to benefit their mountainous number of opera loving customers by pre-releasing two Met performances exclusively in their fine emporiums.
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