Every snarl and shimmer
Yannick Nézet-Séguin and the Metropolitan Opera Orchestra reigned supreme at the opening night of Wozzeck on Friday evening, rendering every snarl and shimmer of Berg’s score with gripping intensity.
12 pieces since 2015 — in 9 roles, at 6 companies, most often at Metropolitan Opera.
Yannick Nézet-Séguin and the Metropolitan Opera Orchestra reigned supreme at the opening night of Wozzeck on Friday evening, rendering every snarl and shimmer of Berg’s score with gripping intensity.
All those who have been in a rage since the news broke this week that the Metropolitan Opera has invited Calixto Bieito to stage Verdi’s La Forza del Destino can relax and embrace the Juilliard Opera’s new Le Nozze di Figaro which opened Friday night.
This sterling revival shows the Metropolitan to be surviving well and in good shape.
A snarky commentator might dub last night at the Met “Boris of the divo hair flip” but that would do a disservice to a serious, often effective performance of the challenging original version of Mussorgsky’s masterpiece.
Bard College presented a semi-staged concert of Halka on Saturday evening as part of its impressively wide-ranging two-week “Chopin and his World” festival.
A Strauss rarity receives a ravishing concert performance at Seattle Opera.
The Amazing Adventures of Kavalier & Clay was, somehow, a fun night at the opera—just not one that felt specifically operatic.
Cameron Kelsall reports on a transcendent Jenufa from the Cleveland Orchestra
Kaija Saariaho’s spectral, shattering Innocence makes its Metropolitan Opera debut.
The score for Innocence was menacing yet comforting, and, essentially, violent and peaceful at the same time
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