This magic moment
Look, for one of the most-staged operas in the repertoire, Mozart’s Die Zauberflöte seems awfully difficult to stage.
24 pieces since 2014 — at 11 companies, most often at Metropolitan Opera.
9 pieces as Metropolitan Opera — stats above show all coverage for Michael Levine.
View allLook, for one of the most-staged operas in the repertoire, Mozart’s Die Zauberflöte seems awfully difficult to stage.
When it premiered at the Opéra Comique in 1875, Carmen shocked audiences with its frank depictions of female sexuality, the proletariat, and violence: subjects that have ensured the piece’s continued relevance and that have inspired numerous retellings and revisions.
“I come, I come! ye have called me long;
I come o’er the mountains, with light and song”
This Carmen, in other words, was somewhat less radical than its initial image suggested.
Simon McBurney’s Die Zauberflöte, the second new production of the Met’s May Mozart Miracle, opened on Friday to rousing near-unanimous cheers.
There are shows with iconic characters, and there are shows with iconic characters playing iconic characters.
>What does a great opera production do, and what does a bad production fail to do?
Pytor Ilyich Tchaikovsky’s Eugene Onegin is his masterwork and its themes of social convention and unrequited longing surely struck a deep chord in a composer who, in late 19th century Russia, was gay and had to conduct himself carefully.
I am grateful to Sony for this new release of the Metropolitan Opera’s latest production of Parsifal and I hope I’m not the only one who discovers what a rich experience this opera can be because of it.
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