Touched by a fallen Angel
Angel Blue‘s refulgent, lush soprano blooms as Violetta’s vocal lines broaden and soar.
10 pieces since 2015 — in 8 roles, at 2 companies, most often at Metropolitan Opera.
6 pieces as Metropolitan Opera — stats above show all coverage for Megan Marino.
View allAngel Blue‘s refulgent, lush soprano blooms as Violetta’s vocal lines broaden and soar.
Do you ever wonder how easy it is to invent a Christmas tradition?
A snarky commentator might dub last night at the Met “Boris of the divo hair flip” but that would do a disservice to a serious, often effective performance of the challenging original version of Mussorgsky’s masterpiece.
At the Metropolitan Opera on Friday night, an otherwise undistinguished Traviata was salvaged by an astonishing performance from Aleksandra Kurzak, whose Violetta was an incontrovertible triumph.
Iolanta was crowned on Thursday evening by Sonya Yoncheva’s haunting portrayal of the blind title character.
A wonderfully committed Ailyn Pérez and Gerald Finley at Saturday afternoon’s revival abetted by Emmanuel Villaume’s passionate conducting converted me to a Thaïs believer.
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