For our first review in a new series, we turn to the new recording of Dido and Aeneas featuring Joyce DiDonato, Michael Spyres and Maxim Emelyanychev leading Il Pomo d’Oro.
A stack of noteworthy recent baroque vocal CDs on my desk has been staring at me for weeks, so I’m tackling them on Handel’s birthday before the Met roars back into action beginning this weekend.
I wonder why many New Yorkers have been led to believe that the only Handel conductor in the world is Harry Bicket.
Joyce DiDonato admits that she is “a problem solver, a dreamer, and—yes I’m a belligerent optimist.”
Handel’s biting Agrippina finally arrived at the Metropolitan Opera Thursday evening 310 years after its Venetian premiere.
A brace of Handel operas at the George Enescu International Festival.
What happens in Karlsruhe stays in Karlsruhe!
Joyce DiDonato’s atest album, In War & Peace: Harmony through music, is more specific than it sounds.
Might Max Emanuel Cencic be the countertenor for people who hate countertenors?
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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