Much as I love the Abbado Deutsche Grammophon studio set, this 1980 San Francisco Opera live Simon Boccanegra under Lamberto Gardelli has an emotional punch.
Following last week’s multiple versions of three prime concert arias, Chris’s Cache concludes its Mozart month by offering more of those special vocal works, this time twenty-five arias for mezzo, tenor or bass, as well as more for soprano.
One of my most favorite pieces is Barbarina’s delightful opener to Act IV of Le nozze di Figaro, “L’ho perduta, me meschina!” from the recording conducted by Otto Klemperer.
Patrick Mack reviews yet another Puccini album from Jonas Kaufmann
In the lead up to LA Opera’s mounting of Turandot on May 18th (hooray!) I thought I’d touch on some of my favorite recordings and new re-masters I’ve discovered. I have them all.
The new Opera News section of OPERA magazine already seems to be getting smaller, but the March issue features a long interview with Carol Vaness about Donna Anna.
On October 14, 1979 I spent my birthday attending my first all-star opera gala, thrilled at the chance to hear some of the great singers I’d only experienced on LPs, broadcasts or via my pirate reel-to-reel tapes.
The great Spanish mezzo soprano Teresa Berganza died on May 13 at the age of 89, so Trove Thursday salutes one of its favorites with a pair of dazzling rare live Mozart performances.
Don Carlos is my favorite Verdi opera, and I’m always in favor of including the most music. But it can be a dizzying task to keep track of all the options.
Joan of Arc inspired many splendid works of art including Tchaikovsky’s Orleanskaya Deva which Trove Thursday presents today in a 1975 broadcast featuring the great Russian mezzo Irina Arkhipova and her husband tenor Vladislav Piavko.
As New Yorkers swelter in the Fahrenheit 90s. Trove Thursday escapes to wintry Vienna 1920s for Richard Strauss’s Intermezzo (in English) sumptuously conducted by Julius Rudel and starring the incomparable Elisabeth Söderström as the delicious, exasperating wife of Alan Titus.
Ombra Compagna, out today on Pentatone, spotlights Lisette Oropesa in 10 of Mozart’s most challenging concert arias accompanied by Il Pomo d’Oro conducted by Antonello Manacorda.
During the 70s, Kiri Te Kanawa, particularly singing Mozart, became one of my favorite singers.
Trove Thursday follows tradition and bids farewell to 2020 with an operetta: Lehár’s Die Lustige Witwe starring Edda Moser as a most commanding Hanna Glawari!
A recent discussion here about Gianna Rolandi prompts Trove Thursday to present the American soprano in a rare trouser role in an even rarer opera, Cimarosa’s Gli Orazi e I Curiazi paired with Anna Caterina Antonacci.
Verdi’s Giovanna d’Arco in a rare NYC concert performance with Margaret Price, Carlo Bergonzi and Sherrill Milnes.
They say you never forget your first.
Verdi’s Giovanna d’Arco in a rare NYC concert performance with Margaret Price, Carlo Bergonzi and Sherrill Milnes.
To mark Beverly Sills’s 90th birthday (May 25, 1929) “Trove Thursday” offers the late diva’s acclaimed Massenet heroine opposite her ideal Des Grieux, Alain Vanzo.
This year’s Salzburg Festival opens Saturday with a new production of Mozart’s Die Zauberflöte, an opera often performed elsewhere in translation, so “Trove Thursday” offers two for the price (!) of one.
Well here we are, beloveds, still swathed in the warm glow of the Leonard Bernstein centennial. Box sets abound like bunnies in a hutch.
“Trove Thursday” offers a vernal take on Massenet’s magical Cendrillon (in English) featuring two sopranos: Margaret Price—not yet 30—and Anne Pashley, then just 35.
Anticipation of events like the Metropolitan Opera’s 50th Anniversary bash turns me back into the newly opera-soused kid who begged his parents to let him watch the highlights of the Bing Gala on the family color television.
Giuseppe Verdi was so unhappy with the first production of his Giovanna d’Arco at La Scala in 1845 that he swore an oath to himself that he would never entrust that theatre with a prima again.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
Hasten thee to feed another quarter of conversation for The Talk of the Town!
Sign up for our free Newsletter.
Support Parterre Box
Donate to keep opera's liveliest publication free and independent. No paywalls, no institutional backing, no bootlicking.
Get our free newsletter
Opera's top reads delivered to your email weekly…ish.
Join over 100k readers.
The best opera magazine on the web.
Reviews, breaking news, critical essays, and brainrot commentary on opera from those demented enough to love it.
Essentials
Copyright © 2026 Parterre Box.
All rights reserved.
Registration or use of this site constitutes acceptance of our Terms & Conditions and our Privacy Policy.
Sign up for Parterre’s free newsletter.
Exclusive opera reviews, commentary, and top reads
delivered to your email weekly…ish.