Et O ces voix d’enfants Et O ces voix d’enfants

Brundibár at the Opéra Comique combines whimsy with historicity to sobering effect.

The company of wolves The company of wolves

Matthias Pintscher’s Nuit sans aube at the Opéra Comique conjures up plenty of atmosphere — but not much else.

Think of the children Think of the children

One of the highlights, if not the highlight, of No-Met-February was an all-Ravel evening presented by the Juilliard Orchestra.

One that was a woman One that was a woman

Earlier this month the opera world was stunned to learn of the death of Belgian soprano Jodie Devos who died of breast cancer at just 35, and Chris’s Cache remembers her with a broadcast from last November of Devos as Ophélie in Hamlet, her only US appearance.

Berlin wall Berlin wall

Why did I mostly want to close my eyes and just listen?

Discomfort zone Discomfort zone

Roberto Alagna’s physical and vocal embodiment of Don José lent his particular narrative a complication I hadn’t anticipated.

Against the grain Against the grain

I wondered if there truly is a future for opera other than as an overpriced museum piece for an aging audience who likes their sets lavish, their productions non-challenging, and their singers telegenic. 

Aggrieved is the glorious work Aggrieved is the glorious work

What could go wrong? As it turned out: just about everything!

Over the garden wall Over the garden wall

Renée Fleming makes her belated “Trove Thursday” debut as Sandrina in a rare early performance of Mozart’s La Finta Giardiniera.

Mostly Mozart in the Jungle Mostly Mozart in the Jungle

Tack on a little symphonic Beethoven and some particularly zany hosting patter from Bernadette Peters, and you start to lose focus, or at least some sense of, um, what matters mostly.

That’s how they did it That’s how they did it

Idomeneo proved enormously moving while a much more complicated Così fan Tutte went for shallow romantic hijinks stripping that work of its darkly ambiguous disturbing view of love.

A very little night music A very little night music

The unevenly-beating Heart unfortunately proved less than the sum of its deluxe parts.

Bo, concept Bo, concept

The surprises, and puzzles, of Dmitri Tcherniakov‘s production of Don Giovanni in this DVD of a performance at the Aix-en-Provence festival begin before a note has been played or the curtain has risen.

“They certainly spared every expense!”

I have to confess that I overheard that line during the intermission of the Met’s new production of Amboise Thomas’s seldom-performed Hamlet based on Shakespeare’s oft-performed play. I couldn’t have said it better myself.