After midnight
The Met’s Cinderella is a charming adaptation of Massenet’s opera. Frothy, fun, and enchanting, it is a magical holiday treat for the whole family to enjoy.
50 pieces since 2007 — at 12 companies, most often at Metropolitan Opera.
8 pieces as Metropolitan Opera — stats above show all coverage for Laurent Pelly.
View allThe Met’s Cinderella is a charming adaptation of Massenet’s opera. Frothy, fun, and enchanting, it is a magical holiday treat for the whole family to enjoy.
A good time seemed to be had by all though I don’t recall seeing a single child in attendance.
Starring Pretty Yende, Stephanie Blythe, Kathleen Turner, Javier Camarena, and Maurizio Muraro, conducted by Enrique Mazzola. Production by Laurent Pelly. From March 2, 2019.
At the Met’s performance of Manon Tuesday evening, Michael Fabiano made as good a case as any for renaming the opera Chevalier des Grieux.
La Fille du Régiment, Donizetti’s half-spoken ode to La France about a girl raised by a division of daddies, is at once infamous and beloved for the string of nine high C’s capping act one.
Why, only now, Cendrillon is having its premiere at the Met is a puzzling question.
Another grim narrative of the Gelb years, and one I think is generally hogwash, is that the Met has (at least in theatrical terms) lost its way entirely.
[Our Own Gualtier Maldè reports from this afternoon’s dress rehearsal of La Fille du Régiment] The Met has another hit on its hands — though not a totally new one, this production and cast already having triumphed at Covent Garden and the Vienna Staatsoper. Laurent Pelly (who vies with Davide Alagna and Mark Streshinsky as […]
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