Thoughts on <em>Andrea Chénier</em>: the greats Thoughts on <em>Andrea Chénier</em>: the greats

Quite simply, the singers are not around today who are steeped in the tradition of verismo, or for that matter the later part of the 19th century.

Thoughts on <em>La Gioconda</em>: Tebaldi Thoughts on <em>La Gioconda</em>: Tebaldi

Renata Tebaldi had one major advantage over Milanov and Callas (and most other sopranos): she was Italian.

“I am finding my way as I go” “I am finding my way as I go”

The musical director of the Opera Royal de Wallonie at Liege is currently experiencing the early phase of a promising international career in music.

Mr. Fabulous Mr. Fabulous

Michael Fabiano is a boss. This is a fact. 

The right box The right box

Let’s call this meeting to order. My name is Patrick and I’m a boxset-aholic.

Rooting for the underdoge Rooting for the underdoge

“Take a good deal of trouble with it, because it is a fine subject, delicate and full of pathos.”

Bows and arias Bows and arias

Whenever opera-lovers are canvassed about what neglected operas they hunger to see revived, the resulting lists inevitably feature a goodly number of grand operas, those once wildly popular monstrosities–particularly by Meyerbeer–written primarily for Paris in the mid-19th century.

Past perfect Past perfect

With much laying-on of fanfares and gift boxes our friends at Decca Classics have unleashed Luciano Pavarotti Edition 1: The First Decade on a weary and satiated public.