The new Norma
In a splashy new recording of Norma, Marina Rebeka “is doing something very untoward, and it appears destructive to her voice.” It has Niel Rishoi worried.
8 pieces since 2014 — in 5 roles, at 5 companies, most often at War Memorial.
In a splashy new recording of Norma, Marina Rebeka “is doing something very untoward, and it appears destructive to her voice.” It has Niel Rishoi worried.
Kitsch is alive and well in Rossini’s La Cenerentola at the War Memorial.
The Paris Opera continued their 350th anniversary celebration January 26 with a brand new production of Alessandro Scarlatti’s 1707 oratorio Il Primo Omicidio ovvero Caino.
Plácido Domingo’s conducting reduced the score’s urgency to the lethargy of a jellyfish.
Logistically, a large-scale revival of the operas of Giacomo Meyerbeer is an unreasonable request, much less an expectation.
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