Float like a butterfly
Phil Chan described his point of departure for reimagining Orientalist works as the question, “what else could this be?”
7 pieces since 2019 — in 4 roles, at 5 companies, most often at San Francisco Opera.
Phil Chan described his point of departure for reimagining Orientalist works as the question, “what else could this be?”
Ilana Walder-Biesanz reports from The Santa Fe Opera, where Tobias Picker‘s latest opera falls short, a new Rodelinda scintillates, and sumptuous singing abounds across the entire repertoire.
Madama Butterfly is the opera of the moment.
A plodding La bohème in San Francisco never quite takes off
Matthew Travisano takes on Mimì’s Act III aria from La bohème — not that one, the other one — in the latest installment of the “Perspectives on an Aria” series
The second act of Dream of the Red Chamber reached the apex and provided the audience with soul-stirring fulfillment.
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