High and dry High and dry

Ilana Walder-Biesanz reports from The Santa Fe Opera, where Tobias Picker‘s latest opera falls short, a new Rodelinda scintillates, and sumptuous singing abounds across the entire repertoire.

The sweet escape? The sweet escape?

A plodding La bohème in San Francisco never quite takes off

Loving him isn’t the right thing to do Loving him isn’t the right thing to do

Matthew Travisano takes on Mimì’s Act III aria from La bohème — not that one, the other one — in the latest installment of the “Perspectives on an Aria” series

No strings attached No strings attached

Madama Butterfly is the opera of the moment.

Float like a butterfly Float like a butterfly

Phil Chan described his point of departure for reimagining Orientalist works as the question, “what else could this be?”

Dream on Dream on

The second act of Dream of the Red Chamber reached the apex and provided the audience with soul-stirring fulfillment.

A place in the sun A place in the sun

Friday evening’s Met premiere of Akhnaten was a resounding triumph and an outstanding testament to Philip Glass’s enduring operatic vision.